This recording – the first release of a complete cycle with the Finnish pianist and conductor Olli Mustonen, who plays two of his own cadenzas in Opus 15 – demonstrates the vitality of the piano concerto genre, which Beethoven preferred for various reasons. Synonymous with the composer, the five great individualities lie like continents in the sea of music, out of which they were catapulted, as it were, with volcanic force. But their geology also developed in phases of varying lengths. After Beethoven’s turbulent beginning in Bonn with the little E flat major concerto of 1784, historical developments forced a stylistic reorientation. In place of Johann Christian Bach, Mozart became his model.
When it rains, it pours. In our last issue, I raved about a new recording of this curious and rarely heard version of Beethoven's well-known violin concerto—please refer to that issue for details and for a recapitulation of the major recordings of the piece from the early days of the long-playing record. Now here it is again, in a much more fleet reading by the brilliant young Finnish pianist and composer (his own music may be sampled on Finlandia's Portrait of Olli Mustonen and a radiant-sounding, closely miked Deutsche Kammerphilharmonie. The two new recordings complement each other nicely.
Mustonen's performing/recording career contains many Beethoven performances and he is always very thoughtful, fluid and attuned to Beethoven's many moods and structural depth. Some other of his recordings (e.g., his Diabelli Variations) have moments of quirkiness, but this recording is more direct and impressive. One of my favorite items on it is his Eroica Variation performance. It is one of the finest I know of, very few others deserve to be mentioned in the same sentence as Glen Gould's - but this (rather different) one does.
Finnish pianist-composer Olli Mustonen’s recordings of Preludes and Fugues by Bach and Shostakovich were released in 1999 and 2004. “Perhaps only an artist as innovative and convincing as Mustonen could have made it work as well as it does,” wrote BBC Music Magazine of the first volume. Of the second, Gramophone wrote that “one cannot deny either the brilliance or imagination of his playing”. It is reissued here along with a second disc of Beethoven featuring works including the E major sonata op. 109.
A special limited-edition 50 CD set of the world's favourite piano concertos, sonatas and other solo pieces. A host of famous pianists perform music from J.S.Bach to Tchaikovsky, Rachmaninov, Prokofiev and Gershwin. This collection of discs includes the five Beethoven Concertos, three Rachmaninov Concertos as well as concertos by Brahms, Grieg, Mendelssohn, Liszt, Schumann and Ravel as well as six Mozart Concertos.