Best His

Own a piece of music history with this deluxe, limited-edition collection of previously lost Hank Williams recordings from his Mother's Best Flour radio hour.
This time capsule collection creates a window into the past as you listen to Hank talk about his life and career. Hank recorded songs for his Mother’s Best shows that he never recorded elsewhere, like “Blue Eyes Crying in the Rain,” “Cool Water,” “Lonely Tombs,” “On Top of Old Smoky,” and many more. 2011 Grammy Nomination: Best Historical Album!
15 full length CDs with 143 songs plus much more from the band, Miss Audrey and special guests.
Vintage radio collector's box, including a sound clip of the show's introduction!

Universal extends its series of discount-priced "best of" compilations with the unwieldy name "20th Century Masters/The Millennium Collection" to the quasi-classical realm with this Leonard Bernstein entry, which treads a fine line a bit awkwardly as a crossover release. Bernstein was, indeed, a popular composer, with a brace of hit songs (and one or two perennially popular cast albums) derived from his scores for the musicals West Side Story, On the Town, and Candide, and one towering achievement as a soundtrack composer, for Elia Kazan's On the Waterfront, to his credit; and he was also a vastly successful and popular recording artist in the classical field.

Hard as it is to believe but there has not been a proper Ringo Starr hits collection since the first, 1975's Blast from Your Past – that's not counting 1989's Starr Struck: Best of Ringo Starr, Vol. 2, which was designed as a companion to that earlier set – until 2007's Photograph: The Very Best of Ringo Starr…

There is no rock star greater than Mick Jagger. There are plenty other as great, but nobody eclipses Mick in terms of art and influence, as he virtually created the modern-day rock & roll rebel. Given that, why is it that almost nobody takes his solo recordings seriously? Even his longtime partner Keith Richards is quoted on record calling Jagger's 2001 album Goddess in the Doorway "Dogsh*t in the doorway," a tacit signal that all the dismissive reviews of Jagger's solo stuff were not only justified, but appropriate – a judgment that may be a bit extreme, but in a way it's understandable, because Jagger's solo recordings showcased his least lovable aspects, particularly his relentless social climbing and obsession with style…

Bruckner’s early Requiem of 1849 and the setting of Psalm 114 (really 116) were composed well before his long period of gruelling technical study with Simon Sechter, during which period he was permitted to compose almost nothing. That was followed by another stretch with Otto Kitzler, less prohibitive so far as creative work was concerned, but still severe; at this time he wrote the Overture in G minor, the ‘study’ symphony in F minor, and a number of choral pieces, including the substantial Psalm 112 (with orchestra) on this record. This period of deliberate creative abstinence has led to the belief that Bruckner was a late starter, that he wrote no music of worth before he was about forty.

For those who lack the cash or incentive to invest in Bear Family's mammoth eight-CD Rock 'N' Roll Years box set, this two-CD, 40-song overview of Conway Twitty's 1958-1963 MGM sides is a fine summary of his early career. Nearly all his Top Hundred chart hits are here, as are numerous flops, B-sides, and LP tracks. It's true that these were the most rock-oriented years of Twitty's long career, and also that many of these sides are derivative of early Elvis Presley……..