Best His

Universally known as the King of the Mambo, Pérez Prado was the single most important musician involved in the hugely popular Latin dance craze. Whether he actually created the rhythm is somewhat disputed, but it's abundantly clear that Prado developed it into a bright, swinging style with massive appeal for dancers of all backgrounds and classes. Prado's mambo was filled with piercing high-register trumpets, undulating saxophone counterpoint, atmospheric organ (later on), and harmonic ideas borrowed from jazz. While his tight percussion arrangements allowed for little improvisation, they were dense and sharply focused, keeping the underlying syncopations easy for dancers to follow. Prado played the piano, but was often more in his element as the focal point of the audience's excitement; he leaped, kicked, danced, shouted, grunted, and exhorted his musicians with a dynamic stage presence that put many more sedate conductors and bandleaders to shame. With this blueprint, Prado brought mambo all the way into the pop mainstream, inspiring countless imitators and scoring two number one singles on the pop charts (albeit in a smoother vein than the fare that first made his name) as the fad snowballed. He was a star throughout most of the Western Hemisphere during the '50s, and even after his popularity waned in the United States, he remained a widely respected figure in many Latin countries, especially his adopted home of Mexico.

Stevland Hardaway Morris, better known by his stage name Stevie Wonder, is an American singer, songwriter, musician and record producer. A prominent figure in popular music, he is one of the most successful songwriters and musicians in the history of music. Through his heavy use of electronic instruments and innovative sounds, Wonder became a pioneer and influence to musicians of various genres including pop, rhythm and blues, soul, funk and rock…

Mark Spiro is an iconic American songwriter and an established award winning producer, recording artist, and accomplished musician, with a career that spans over two decades. Among his many accomplishments are 45 Gold and Platinum Records, and nine solo albums. His songs and productions have been represented on records that have sold over 100 Million copies worldwide. The “2+2 = 5: Best of + Rarities” compilation encompasses the best of Mark’s solo material starting from “Now Is Then, Then is Now”, originally released in 1996, until “It’s a Beautiful Life”, released in 2012. Also included are his songwriting collaborations with none other than Dann Huff (Giant), Michael Thomson (MTB), Jim Vallance (Bryan Adams), and Tim Pierce. As a special treat for the discerning and passionate melodic rock fans, the album includes 13 unreleased songs which also includes collaborations with Dann Huff, Michael Thompson, Tim Pierce and Jason Derlatka. Mark is currently working on a new solo album.

Covering all of his crucial eighties material, Spark to a Flame: The Very Best of Chris de Burgh offers up most of this songwriter's best work, while also including a few of his better pieces from early in his career. The decade took apt notice of de Burgh, giving him two Top 40 hits on Billboard with "Don't Pay the Ferryman" in 1983 and the hugely successful "Lady in Red" in 1987, which are both included on this set. Three of his most delightful narratives from the '70s show up here as well, with "Spanish Train," "A Spaceman Came Travelling," and "Patricia the Stripper," all from the highly regarded Spanish Train and Other Stories album.

While there can be no doubt that the late great Grover Washington, Jr. released his most commercially successful recordings for Columbia and Elektra, there is also no doubt that, critically and creatively, Washington's most visionary material, the stuff that virtually created the template for the smooth jazz generations that came after, were on the Kudu imprint and produced by Creed Taylor. Washington was a monster saxophonist on tenor as well as soprano, and a true stylist. Before coming to Motown and Kudu he had apprenticed with a number of soul-jazz masters, including Charles Earland and Johnny "Hammond" Smith. The material here focuses on the seminal eight years Washington recorded for Motown and Kudu, beginning with his early renditions of standards like "I Loves You, Porgy," from George Gershwin's Porgy and Bess…