Big Boss Man

This was Jimmy Rogers' last "proper" Chicago blues album, and it deservedly won a W.C. Handy Award in 1995. There are no moonlighting rock stars here; they would come out in droves for Rogers' subsequent album Blues Blues Blues. And with the exception of the last track – which is basically pianist Johnnie Johnson showing off for eight minutes – Rogers sits squarely in the spotlight for the duration of Blue Bird. As expected, Rogers revisits a fair amount of his earlier repertoire ("Walking By Myself," "I Lost a Good Woman"), but he also digs up several original tunes that he had never gotten around to recording until now. Throw in a few Chicago standards ("Big Boss Man," "Rock Me," "Smokestack Lightning"), and you have a solid, laid-back, and tremendously satisfying album by one of the underrated masters.

Long before he signed to Yep Roc in 2013, Tony Joe White perfected his minimalist groove – so much so, his records often seemed like they flowed from the same swamp. Bad Mouthin', his third record for Yep Roc since 2013, doesn't necessarily break from that tradition – from its first note, it is quite clearly the work of Tony Joe White – but it does prove a variation on his signature by offering his first album devoted entirely to the blues. Combining blues standards with songs he wrote years ago, White highlights how pivotal the skeletal shuffles of John Lee Hooker and Jimmy Reed were to his own sound.

The most comprehensive collection of the Pretty Things’ BBC ‘live’ recordings on the market, with several previously unreleased tracks, now all together for the first time on this newly remastered 4CD set, assembled with the assistance of the BBC. Sourced from the BBC archives, this newly updated 60-track set covers numerous songs from the 1960s & 1970s period - including smash hits such as ‘Rosalyn’, Don’t Bring Me Down’, ‘Midnight To Six Man’, R&B standards ‘Road Runner’ and ‘Route 66’, and later classic album tracks ‘Defecting Grey’, ‘S.F. Sorrow Is Born’, ‘Singapore Silk Torpedo’ and ‘Dream / Joey’. These sessions were recorded by the world renowned broadcasting organisation for radio and TV. Our CDs explore all the Pretty Things’ BBC Radio One output, including 1960s ‘Top Gear’, ‘Saturday Club’, the later ‘Peel Sessions’ and ‘Sounds Of The 70s’…

So Many Roads is Hammond's most notable mid-'60s Vanguard album, due not so much to Hammond's own singing and playing (though he's up to the task) as the yet-to-be-famous backing musicians. Three future members of the Band – Robbie Robertson, Garth Hudson, and Levon Helm – are among the supporting cast, along with Charlie Musselwhite on harmonica, and Mike Bloomfield also contributes. It's one of the first fully realized blues-rock albums, although it's not in the same league as the best efforts of the era by the likes of the Paul Butterfield Blues Band or John Mayall's Bluesbreakers. In part that's because the repertoire is so heavy on familiar Chicago blues classics by the likes of Willie Dixon, Bo Diddley, and Muddy Waters; in part that's because the interpretations are so reverent and close to the originals in arrangement; and in part it's also because Hammond's blues vocals were only okay.

Jerry Lee Lewis - A Whole Lotta Jerry Lee Lewis (2012) {4CD Box Set Salvo Records SALVOBX410}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.91 Gb | MP3 @320 -> 699 Mb
Full Artwork @ 300 dpi (jpg) -> 62 Mb | 5% repair rar
© 2012 Salvo Records | SALVOBX410
Rock & Roll / Rockabilly / Honky Tonk / Country

Four-disc monument to the Killer, containing no filler… What with one thing and another, it took the Grand Ole Opry a while to invite Jerry Lee Lewis to make his debut. Sixteen years, in fact, from his first hits (“Whole Lotta Shakin’ Going On”, “Great Balls Of Fire” ) to finally ushering the Killer onto the stage of Nashville’s Ryman auditorium in January 1973. The high temple of the country music establishment had their reasons for hesitating. Lewis was not known for family-friendly behaviour, unless one counts as such already having three families by this point – one, to the detriment of his box office, with a cousin he’d wed when she was thirteen. But he’d grown up, surely. He was pushing 40. He’d married for a fourth time, to someone old enough to vote. And he was reinventing himself as a proper country singer – he’d had hits with versions of Kris Kristofferson’s “Me & Bobby McGee”, Jimmie Rodgers’ “Waiting For A Train” and Ray Griff’s “Who’s Gonna Play This Old Piano?”. The Opry prepared to formally welcome the black sheep to the fold.

The ideal gift for a music lover is for sure a nice compilation. Rock & Folk released this year a compilation of the best rock songs of the 50s and 60s. A person who is a fan of rock, it is very easily. A person who still listens to CDs in his car is easy to find too. A person who prefers to have a beautiful object rather than an iTunes prepaid card, there is a shovel. Here is a gift that can please a person who mixes these three aspects. Indeed, Rock & Folk releases its traditional compilation of end of year and looks this year on the origins of rock.

The ideal gift for a music lover is for sure a nice compilation. Rock & Folk released this year a compilation of the best rock songs of the 50s and 60s. A person who is a fan of rock, it is very easily. A person who still listens to CDs in his car is easy to find too. A person who prefers to have a beautiful object rather than an iTunes prepaid card, there is a shovel.
Here is a gift that can please a person who mixes these three aspects. Indeed, Rock & Folk releases its traditional compilation of end of year and looks this year on the origins of rock.