Bill Harry

Newly discovered live performance by Bill Evans Trio, featuring Eddie G¢mez - bass & Eliot Zigmund - drums. The previously unreleased concert took place on June 20, 1975, at Oil Can Harry's, Vancouver, BC. Captured for radio host Gary Barclay, it was aired on his popular CHQM jazz show. For nearly half a century, the tapes lay forgotten - until now. Thanks to audio restoration by Plangent Processes & mastering by Paul Blakemore, it sounds just as fresh today as it did in 1975.

This well-rounded set (released posthumously) features the highly influential pianist Bill Evans in a set of typically sensitive trio performances. With his longtime bassist Eddie Gomez and his drummer of the period, Eliot Zigmund, Evans explores such songs as "We Will Meet Again," Jimmy Rowles's classic "The Peacocks" and the "Theme from M*A*S*H." It's a solid example of the great pianist's artistry.

Harry Babasin - Harry Babasin & The Jazz Pickers with Terry Gibbs (1957) {V.S.O.P. Records #39 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 137 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (jpg) -> 75 Mb | 5% repair rar
© 1957, 1998 Mode Records / V.S.O.P. Records | Mode 119 / #39
Jazz / Cool / Bop / West Coast Jazz

An excellent set of 50s west coast chamber jazz – featuring a quintet that includes Harry Babasin on cello, Terry Gibbs on vibes, Demsey Wright on guitar, Ben Tucker on bass, and Bill Douglass on drums. The pairing of cello and vibes in the frontline is really great – and with additional support from guitar, the instruments really swing nicely on the set. The album's the sort that you might miss, because the Premier label was sort of a budget operation – but it's a really nice little side that grooves with a keen late 50s approach that's very much in the manner of similar albums on Dawn or Bethlehem – but arguably better, as it's recorded with an open feel, and some really great sound.

Various Artists - The Harry Smith B-Sides (2020) {4CD Set, Dust‐to‐Digital DTD-51}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 784 Mb | MP3 @320 -> 564 Mb | Artwork | 5% repair rar
© 2020 Dust‐to‐Digital | DTD-51
Folk / Blues / Gospel / Pre War / Country Blues

In 1952, Folkways Records published the legendary 6-LP series entitled the Anthology of American Folk Music, compiled from original 78s by record collector, filmmaker, artist, and anthropologist Harry Smith. Many historians and musicians cite Smith’s reissue, with its recordings of country, blues, Cajun, and gospel music from the 1920s and ‘30s, and its booklet containing idiosyncratic liner notes, esoteric artwork, and handmade design as a major impetus for the folk music revival of the 1950s and ‘60s and as a source of profound cultural change.