Bob Dylan Greatest

This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time. Finally, it came out at an odd moment of juxtaposition in pop culture history, appearing in July 1973 on the same date as the release of Paul McCartney's own first prominent venture into film music, on the Live and Let Die soundtrack (the Beatles bassist had previously scored The Family Way, a British project overlooked amid the frenzy of the Beatles' success).

Mixing Up The Medicine is a new career-spanning compilation containing 12 of Bob Dylan’s greatest songs, including “Knocking On Heaven’s Door”, “Like A Rolling Stone” and “Hurricane”. It serves as the companion piece to the Mixing Up The Medicine book, which offers an unprecedented look into the Bob Dylan Archive. This magnum opus will include nearly 1,000 images, most of which have never been seen by the public, alongside original essays by prominent writers and artists.

Mixing Up The Medicine is a new career-spanning compilation containing 12 of Bob Dylan’s greatest songs, including “Knocking On Heaven’s Door”, “Like A Rolling Stone” and “Hurricane”. It serves as the companion piece to the Mixing Up The Medicine book, which offers an unprecedented look into the Bob Dylan Archive. This magnum opus will include nearly 1,000 images, most of which have never been seen by the public, alongside original essays by prominent writers and artists.

This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time. Finally, it came out at an odd moment of juxtaposition in pop culture history, appearing in July 1973 on the same date as the release of Paul McCartney's own first prominent venture into film music, on the Live and Let Die soundtrack (the Beatles bassist had previously scored The Family Way, a British project overlooked amid the frenzy of the Beatles' success).

The official release of The Basement Tapes – which were first heard on a 1968 bootleg called The Great White Wonder – plays with history somewhat, as Robbie Robertson overemphasizes the Band's status in the sessions, making them out to be equally active to Dylan, adding in demos not cut at the sessions and overdubbing their recordings to flesh them out…