Bob Dylan Greatest

The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a complete recording of Bob Dylan's October 31, 1964 "Halloween" show at New York's Philharmonic Hall. It was released in 2004. The set list was dominated by Dylan’s protest songs, including "The Times They Are a-Changin’," "A Hard Rain’s a-Gonna Fall," and "The Lonesome Death of Hattie Carroll". Joan Baez, a major supporter of Dylan's in his early career, duets with Dylan on three songs, as well as singing another alone ("Silver Dagger"). However, Dylan performed these songs alongside early versions of three songs from the soon-to-be-recorded Bringing It All Back Home. New compositions like "It’s Alright Ma (I’m Only Bleeding)" and "Mr. Tambourine Man" showed Dylan moving in a new direction, becoming more immersed in evocative, stream-of-consciousness lyrics and moving away from social, topical songwriting.

Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia after a two-album stint with Asylum Records. Dylan began recording the album at an A & R studio in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in Sound 80 studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, described the songs as "my parents talking". Dylan denied that the songs were autobiographical.

Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia after a two-album stint with Asylum Records. Dylan began recording the album at an A & R studio in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in Sound 80 studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, described the songs as "my parents talking". Dylan denied that the songs were autobiographical.

"Bringing It All Back Home" is Bob Dylan's fifth studio album. It was originally divided into an electric and an acoustic side, and demonstrates Dylan's movement away from folk music and towards electric rock. The album is considered to be one of the greatest and most influential albums in rock history.

Bringing It All Back Home (known as Subterranean Homesick Blues in some European countries) is the fifth studio album by American singer-songwriter Bob Dylan. The first half of the album features electric songs, followed by mainly acoustic songs in the second half. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. Bringing It All Back Home has been described as one of the greatest albums of all time by multiple publications.

Bringing It All Back Home (known as Subterranean Homesick Blues in some European countries) is the fifth studio album by American singer-songwriter Bob Dylan. The first half of the album features electric songs, followed by mainly acoustic songs in the second half. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. Bringing It All Back Home has been described as one of the greatest albums of all time by multiple publications.

"The Basement Tapes" is singer-songwriter Bob Dylan's sixteenth studio album. The album's tracks were recorded at house's in and around Woodstock, New York between the years 1967 and 1968.

"The Basement Tapes" is singer-songwriter Bob Dylan's sixteenth studio album. The album's tracks were recorded at house's in and around Woodstock, New York between the years 1967 and 1968.