Bob Dylan

Before the Flood is a double live album by American singer-songwriter Bob Dylan and the Band, released in June 1974 on Asylum Records in the United States and Island Records in the United Kingdom. It is the seventeenth album by Dylan and the seventh by The Band, and documents their joint 1974 American tour. It peaked at number three on the Billboard 200, reached number eight on the popular album chart in the United Kingdom, and has been certified platinum by the Recording Industry Association of America.

"Highway 61 Revisited" is the seminal masterpiece by Bob Dylan. It is listed at #4 on Rolling Stone’s “500 Greatest Albums of All Time” and features the #1 song on Rolling Stone’s “500 Greatest Songs of All Time,” "Like A Rolling Stone." It peaked at #3 on the Billboard 200 and is one of NME’s “Greatest Albums of All Time”.

Standing In The Doorway: Chrissie Hynde Sings Bob Dylan will comprises nine renditions of Dylan’s songs and it’s due for release on 21 May – a few days before the icon’s 80th birthday.

Bringing It All Back Home (known as Subterranean Homesick Blues in some European countries; sometimes also spelled Bringin' It All Back Home) is the fifth studio album by American singer-songwriter Bob Dylan. It was released in March 1965 by Columbia Records.

"John Wesley Harding" is Bob Dylan's eighth studio album and was originally released on December 27, 1967 on Columbia Records. It marked Dylan's return to acoustic roots music after having made three albums of electric rock. The album was incredibly well-received by listeners and critics alike, and the song "All Along the Watchtower" became one of Dylan's most popular numbers after it was covered by Jimi Hendrix the following year.

Planet Waves is the 14th studio album by American singer-songwriter Bob Dylan. Dylan is supported on the album by longtime collaborators The Band, with whom he embarked on a major reunion tour (documented on the live album Before the Flood) following its release. The album was originally set to be titled Ceremonies of the Horsemen, a reference to the song "Love Minus Zero/No Limit", from the 1965 album Bringing It All Back Home; the release was delayed two weeks when Dylan decided to change the title at the last minute. Another, earlier, working title was Wedding Song.

"Love and Theft" is Bob Dylan's 31st studio album and was recorded in May 2001. It was produced by Dylan under the pseudonym of Jack Frost. The album is an homage to the music and racial history of the American South, and was very well-received by critics. Robert Christgau of The Village Voice wrote: "If Time Out of Mind was his death album—it wasn't, but you know how people talk - this is his immortality album".

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

Desire is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year. Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin Carter, whom the song asserts was framed.

The Times They Are a-Changin' is the third studio album by American singer-songwriter Bob Dylan. This was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.