Bobby Adair

Tal Farlow – The Complete Verve Tal Farlow Sessions (2004) {7CD Box Set Mosaic MD7-224 rec 1951-1959}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.69 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 600 dpi (jpg) -> 209 Mb | 5% repair rar
© 1951-59, 2004 Mosaic Records / Verve / Universal | MD7-224
Jazz / Bop / Cool / Guitar

Tal Farlow, was an innovative self-taught jazz guitarist who influenced generations of guitarists following in his footsteps. Although some of his peak years as a recording artist occurred during his association with Verve between 1954 and 1959, relatively few of the tracks were available for decades until the release of this comprehensive Mosaic box set. The music is consistently brilliant, as the leader's solos seem to evolve effortlessly, often finding fresh ground in the many standards and classic jazz compositions performed in this set. Aside from the three opening tracks from Farlow's days as a member of vibraphonist Red Norvo's trio, the guitarist is the leader.

Art Pepper - Unreleased Art, Vol. 4 - The Art History Project (2009) {3CD Set, Widow's Taste ‎APM09001 rec 1951-1982}
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© 1951-82, 2009 Widow's Taste | APM09001
Jazz / Bebop / Cool / West Coast Jazz / Jazz Blues / Saxophone

There are several Art Pepper boxed sets on the market but none that tried to cover the entire sweep of his checkered career until this one, the fourth in his widow Laurie Pepper's series of Unreleased Art projects for her own label. The three-CD set is thoughtfully divided by disc into three periods – early Pepper from the cool 1950s, his lost years in the '60s when he spent most of the decade in jail on dope charges, and the final comeback from the mid-'70s until his death in 1982.

Sonny Redd and Art Pepper - Two Altos (1992) {Savoy Jazz Japan SV-0161 rec 1952-1957}
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© 1952-57, 1992 Savoy Jazz / Nippon Columbia Japan | SV-0161
Jazz / Bop / Cool / West Coast Jazz / Saxophone

Two Altos is an album by American saxophonists Art Pepper and Sonny Red. The four standards which appear on the album were recorded in Los Angeles with West Coast-jazz musicians between 1952 and 1954, whilst the two originals were recorded at Van Gelder Studio, in 1957. Regent would assemble the material and release it in 1959. The album is a jazz rarity and was reissued on CD only once in Japan, in 1992.