Editorial Reviews- Amazon.com
What a potent combo: Maurice Ravel and Leonard Bernstein. Boléro slowly comes to a steady boil without any ingredients overflowing. By contrast, in Alborada del Gracioso and La Valse, Bernstein thoroughly revels in his French orchestra's watery brass and silvery string tuttis. Back in Manhattan, the Daphnis and Chloé suite and Rapsodie Espagnol are lusty without ever sounding vulgar. Some might find the miking a hair spotlit for their tastes, but Ravel's breathtaking orchestration can withstand such scrutiny. So can Bernstein and company. An ingratiating release. –Jed Distler
One of the most versatile musicians on the planet, André Previn has amassed considerable credentials as a jazz pianist, despite carving out separate lives first as a Hollywood arranger and composer, and then as a world-class classical conductor, pianist, and composer. Always fluid, melodic, and swinging, with elements of Bud Powell, Oscar Peterson, and Horace Silver mixed with a faultless technique, Previn didn't change much over the decades but could always be counted upon for polished, reliable performances at the drop of a hat…
"Was Lorin Maazel und sein Orchester hier bieten, stellt an Klarheit und Präzision alles mir Bekannte in Sachen Ravel in den Schatten." ~FonoForum 6/1984
Cinq chefs-d'œuvre de Ravel dans cinq interprétations sélectionnées par vos critiques préférés. Merci qui ? Une seule signature en bas de page, mais seize oreilles de Diapason à l'œuvre pour le nouvel Indispensable. Son programme n'est pas le fruit du hasard : il met en perspective les cinq partitions majeures de Ravel après guerre.