Bollie en Billie 2

Deux ans se sont écoulés depuis que Sam Witwicky a sauvé l'univers d'une bataille décisive entre les deux clans rivaux de robots extraterrestres. Malgré ses exploits, Sam reste un adolescent préoccupé par les soucis des jeunes gens de son âge : alors qu'il s'apprête à entrer à l'université, il doit se séparer de sa petite amie Mikaela et de ses parents pour la première fois de sa vie. Il lui faut aussi tenter d'expliquer son départ à son nouvel ami, le robot Bumblebee. Sam aspire à vivre une vie normale d'étudiant, mais il doit tourner le dos à son destin pour y parvenir.
Si Sam a fait ce qu'il a pu pour tirer un trait sur le conflit qui a eu lieu à Mission City et revenir à ses préoccupations quotidiennes, la guerre entre les Autobots et les Decepticons, tout en étant classée secret défense, a entraîné plusieurs changements. Le Secteur 7 a ainsi été dissout et son plus fidèle soldat, l'agent Simmons, a été révoqué sans ménagement. Résultat : une nouvelle agence, NEST, a été mise en place…

En vacances au Maroc avec sa femme et son fils, le Dr McKenna fait la connaissance d'un Français qui sera assassiné sous leurs yeux le lendemain de leur rencontre. Quelques jours plus tard, leur fils a été enlevé. Ils vont devoir mener leur enquête.

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Thirty years before they hit the big screen via Brian DePalma's brilliant movie adaptation, Eliot Ness's legendary exploits came to life in the classic 1950s and '60s television series THE UNTOUCHABLES. Created by veteran crime-drama producer Quinn Martin, the series followed Ness (Robert Stack) and his team of crack crime fighters–including agents Martin Flaherty (Jerry Paris), Jack Rossman (Steve London), Enrico Rossi (Nicholas Georgiade), and William Youngellow (Abel Fernandez)–as they took on the Mafia underworld of gangsters Al Capone (Neville Brand) and Frank Nitti (Bruce Gordon) in Prohibition-era Chicago. Smart and iconic, the series distinguished itself with superb voiceover narration from broadcaster Walter Winchell and a gritty style that nonetheless eschewed graphic depictions of gore and violence.

Vincent is a secretary of state, a powerful man, not bad looking, rather elegant, who likes his food and wine. Odile, his mistress, a very beautiful young woman, is intelligent, clear-headed, charming.
Don’t hitch your fate to young women who are too beautiful, my friends: it can cost you dearly. As soon as Vincent is thrown out of his job, Odile ditches him.
Theodiere, the new secretary, takes over Vincent’s sumptuous office. He changes everything: the shelves, furnishing fabrics, the desk, chairs, even the telephone and the ashtrays. Will it last long? Who knows. He’s optimistic.
Meanwhile, Vincent, the former secretary, starts living at last…
And if, at the end of our story, Vincent crosses paths with Theodiere, his rival and successor, now also in disgrace, it will be without hatred or perverse joy that he’ll say: “You look tired… Hey, have a drink!”

The face of an exhausted man breathing deeply, his face agitated and, nearby, the sea. A Buddhist monk walks barefoot and incredibly slowly through Marseille – so slowly, that his progress is barely perceptible and he becomes a calming influence in the midst of the town’s goings-on.
More like a performance or installation art project than an ‘art film’, "Le Voyage en Occident" (Xi you) is a follow-up to the 2012 short "Walker" or a kind of second segment, set in Marseille (South France - French Mediterranean coast).
Consisting of only 14 shots of varying lengths - from very brief to a centrepiece of approximately 20 minutes - the film shows two men, narratively unconnected, who finally come together in a sequence that shows off both actors’ physical skills and sense of timing.
Lee Kang-sheng, who features in all Tsai Ming-liang’s films, plays the monk with impressive energy. His uniform slow motion footsteps and devoted posture turn his performance into a veritable tour de force as he unswervingly makes his way from the coast to the market in Noailles (popular market with mixed communities people), like an illusion in his bright red robe. Xi You represents another edition of the director’s series of short films that expand Lee Kang-sheng’s thirty minute slow walking performance at Taipei’s National Theatre into a ‘slow walking expedition’. Unusual, brilliantly chosen camera angles provide a collage of various districts in Marseille, creating a hypnotic space in which this meditative peregrination becomes a surprising journey of discovery.

A l'occasion du tournage du nouveau film de Luc Jacquet, «Il était une forêt», le cinéaste animalier Jérôme Bouvier a ramené des images fascinantes. Avec son équipe, il a parcouru les forêts tropicales du Pérou et du Gabon, en quêtes d'images exceptionnelles.