Bragg

The debut from Mano Negra is more than a band wanting to be the Clash. It's the sound of a band becoming the Clash (it compresses all the musical sprawl of Sandinista! into a single disc), then going on to find their own sound, most especially with tracks like "Indios de Barcelona" and "Mala Vida," both of which would become staples of their repertoire. "Killin' Rats" is a perfect mix of hip-hop and rock, while their take on the traditional "Rock Island Line" (the song that launched the skiffle movement of the '50s) flows through several musical styles in the course of three minutes. There's nothing that complex about it, but the best rock & roll has always been simple. But there's an undeniable fire about Patchanka – they sound as if they've just discovered rock, and they play as if their lives depended on it, with Chao singing (probably one of the few to take Joe Strummer as a vocal model) and the rest of the band offering soccer-style chanting as a background. They're not afraid of anything, they're immortal, and they swagger – and they're often funny, as in the over-the-top fake applause that permeates "Mano Negra," the album's opener.

The Who… smashed guitars… demolished hotel rooms…cars in swimming pools… the legendary band in their most explosive performances. Re-live the glory from their pre-Who days as The High-Numbers to their final appearance with notorious madman and drummer extraordinaire Keith Moon. From raucous rehearsals to major festivals… from rock operas to rock anthems…