Music for Onmyo-Ji is a two-CD album of music for the books of Reiko Okano. The first disc is by Reigakusya, the second by Brian Eno and J. Peter Schwalm. A double-CD, released only in Japan, which marks the first major team-up between Brian Eno and Peter Schwalm before their widely released Drawn From Life CD. The music on disc one is comprised of 14 tracks of traditional Japanese instruments, which are more appropriate for this CD, which is meant to accompany the Reiko Okano/Baku Yumemakura manga. The second disc leads one to ask what Schwalm actually adds to the mix in this collaboration.
Both Brian Eno and John Cale have always flirted with conventional pop music throughout their careers, while reserving the right to go off on less accessible experiments, which means they've always held out the promise that they would make something as attractive as this synthesizer-dominated collection, on which Eno comes as close to the mainstream as he has since Another Green World and Cale is as catchy as he's been since Honi Soit. The result is one of the best albums either one has ever made. [A 2005 reissue added two bonus tracks: "Grandfather's House" and "You Don't Miss Your Water."]
On Land represented a significant move away from the strategies Brian Eno had employed in earlier ambient releases such as Discreet Music and Music for Airports. Instead of using a specific process to generate music with minimal interference from the composer, he here opts for a more gestural and intuitive approach, creating dreamy pictures of some specific geographical points or evocative memories of them. It's quite easy to imagine these works as soundtracks to mysterious footage of imprecisely glimpsed landscapes. On Land is an album that would become highly influential with the rising tide of new age composers, though few if any would capture the chilly beauty or latent romanticism that is part and parcel of Eno…
The latter part of 1975 was a remarkably creative period for Brian Eno. With his masterpiece Another Green World, Eno began moving away from the structure and sound of pop music toward a more static instrumental model, influenced in part by Erik Satie and strongly informed by his prior collaborations with Robert Fripp. Recorded just a month after Another Green World, Discreet Music is his first full foray into what has become known as ambient music. Using the same system of two reel-to-reel tape recorders as No Pussyfooting and Evening Star, Eno was able to layer simple parts atop one another, resulting in a beautiful piece of music that never really changes but constantly evolves with the addition and decay of different parts…
Finally bored with ambient music, a genre he pioneered in the 1970s, pop polymath Brian Eno emerged with Another Day on Earth, his first solo recording of "conventional" songs since Another Green World. From the rhythm track of opening song "This," the sound is unmistakable. A quirky hook covered in layers of atmosphere and a bouncy loop, it's a smart little tune with additional guitars by Leo Abrahams. Lyrically, Eno's process is poetic, employing not only his own strategies, but a computer generating words as well. At three-and-a-half minutes, it's a fine pop song, albeit one that would never get played on the radio.
Apollo - Atmospheres and Soundtracks is an Ambient album released in 1983. It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois. Music from the album appeared in the films 28 Days Later, Traffic and Trainspotting, whose soundtrack sold approximately four million copies.
Everything That Happens Will Happen Today is the second album made in collaboration between David Byrne and Brian Eno, released on August 18, 2008, by Todo Mundo. The album explores themes of humanity versus technology and optimism in spite of bleak circumstance through the blending of electronic and gospel music. Critical reception was largely positive and the album received awards for both the musical content as well as the packaging and technical production.
Apollo: Atmospheres & Soundtracks consists of music written for a documentary film about NASA's Apollo missions, which landed several humans on the moon between 1969 and 1972. The film was originally titled Apollo, and initially consisted of footage from the moon missions without narrations, but due to lukewarm response from test audiences, the film went through several edits, incorporating commentary from the astronauts and ground crew, and was finally released in 1989 as For All Mankind. The original soundtrack for Apollo was released in 1983, however, and subsequently took on a life of its own. Composed and performed by Brian Eno along with his brother Roger and guitarist/producer Daniel Lanois, the album interprets the vastness and weightlessness of space in a variety of different ways…