Bruckner 8 Zürich

David Zinman, Tonhalle-Orchester Zürich - Gustav Mahler: Symphony No. 3 (2008)

David Zinman, Tonhalle Orchestra Zürich - Gustav Mahler: Symphony No. 3 (2007)
EAC | FLAC | Image (Cue & Log) ~ 414 Mb | Total time: 99:51 | Scans included
Classical | Label: RCA Red Seal | # 88697 12918 2 | Recorded: 2006

David Zinman’s Mahler cycle really hits its stride with this remarkable performance of the Third Symphony. It only has two small drawbacks worth mentioning. First, alto Birgit Remmert sounds pretty good in her big fourth-movement solo, but she’s far less impressive during her brief contributions to the choral fifth movement. Perhaps this take came from another evening (the symphony was recorded during a series of live performances). Second, at the very end of the symphony, despite the very beautiful playing, the trumpets fail to ring out as Mahler’s score directs. Better this glowing sonority than stridency, but there’s no reason why we can’t have the best of both worlds (Haitink’s first recording with the Concertgebouw on Philips never has been surpassed in this respect).
Philharmonia Zürich & Fabio Luisi - Bruckner: Symphony No. 4 in E-Flat Major («Romantic») (2019)

Philharmonia Zürich & Fabio Luisi - Bruckner: Symphony No. 4 in E-Flat Major («Romantic») (2019)
WEB FLAC (tracks) - 289 MB | Tracks: 4 | 77:40 min
Style: Classical | Label: Philharmonia

Anton Bruckner described his Fourth Symphony as 'Romantic', and under this name it soon became his most popular work. Introduced by an idyllic horn call motif, the Fourth Symphony Bruckners first in a major key is characterized by a warm, natural, luminous underpinning. Both the slow movement, with its funeral march character, and the sometimes frighteningly-dark and powerful final movement are in stark contrast to the symphonys initial warmth. As was often the case, Bruckner revised the symphony numerous times in the run-up to its premiere, which was given by the Vienna Philharmonic in 1881. Fabio Luisi recorded the 1878 version, with the finale from the 1880 version, with the Philharmonia Zürich. This version has long-since established itself as the official concert version of Bruckners Fourth Symphony.
Tonhalle-Orchester Zurich & Paavo Jarvi - Bruckner: Symphony No. 7 (2023)

Tonhalle-Orchester Zürich & Paavo Järvi - Bruckner: Symphony No. 7 (2023)
FLAC (tracks), Lossless +Booklet | 1:04:56 | 232 Mb
Genre: Classical / Label: Alpha Classics

The first performance of Anton Bruckner’s Seventh Symphony at the Zurich Tonhalle took place on 14 January 1924, to mark the centenary of the composer’s birth. Under the direction of Walter, Furtwängler, Klemperer, Böhm and Karajan (to name but a few!), the orchestra has since given many performances of this monumental work which was its composer’s first great success and which the conductor Hermann Levi considered ‘the most significant composition since the death of Beethoven’. The orchestra’s Brucknerian tradition is perpetuated with this cycle conducted by its music director Paavo Järvi, which will continue with the Eighth and Ninth Symphonies until 2024, the year of Bruckner’s bicentenary.
Zehetmair Quartett - Beethoven, Bruckner, Hartmann, Holliger (2013) [2CD] {ECM New Series}

Zehetmair Quartett - Beethoven, Bruckner, Hartmann, Holliger (2013) [2CD] {ECM New Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 423 Mb | MP3 @320 -> 245 Mb
Full Artwork @ 300 dpi (png) -> 111 Mb | 5% repair rar
© 2013 ECM Records | ECM New Series 2195/96
Classical / Chamber Music / Romantic

The Zehetmair Quartett, one of the most exciting and accomplished string quartets of our time, plays a programme of characteristically broad reach. This double album begins with Beethoven’s highly-concentrated opus 135, and concludes with Heinz Holliger’s explosions of fantasy in his 2nd String Quartet, a composition written for, and premiered by, the Zehetmair group. Bruckner’s rarely-heard C-minor quartet is, as Thomas Zehetmair notes, both touching and warm-hearted.
Hansjörg Albrecht - The Bruckner Symphonies, Vol. 10 - Organ Transcriptions (2025) [Official Digital Download 24/96]

Hansjörg Albrecht - The Bruckner Symphonies, Vol. 10 - Organ Transcriptions (2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 75:50 minutes | 1,12 GB
Classical | Studio Master, Official Digital Download

This series to mark the 200th birthday of Anton Bruckner in 2024 is dedicated to his symphonic works. Hansjorg Albrecht will perform all of Bruckner's symphonies in many new transcriptions for organ at important locations such as Zurich, Leipzig, Linz, Vienna and London.

Anton Bruckner · The Symphonies · CSO · Sir Georg Solti  Music

Posted by enjopin at May 4, 2010
Anton Bruckner · The Symphonies · CSO · Sir Georg Solti

Anton Bruckner · The Symphonies · Chicago Symphony Orchestra · Sir Georg Solti
Classical | EAC, APE, Tracks, LOG | 2,53 GB | MP3 VBR -V0 | 998 MB
10 CDs | Covers | rs.com | 1996
Hansjörg Albrecht - The Bruckner Symphonies, Vol. 10 - Organ Transcriptions (2025) [Official Digital Download 24/96]

Hansjörg Albrecht - The Bruckner Symphonies, Vol. 10 - Organ Transcriptions (2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 75:50 minutes | 1,12 GB
Classical | Studio Master, Official Digital Download

This series to mark the 200th birthday of Anton Bruckner in 2024 is dedicated to his symphonic works. Hansjorg Albrecht will perform all of Bruckner's symphonies in many new transcriptions for organ at important locations such as Zurich, Leipzig, Linz, Vienna and London.
Hansjörg Albrecht - The Bruckner Symphonies, Vol. 9 - Organ Transcriptions (2024)

Hansjörg Albrecht - The Bruckner Symphonies, Vol. 9 - Organ Transcriptions (2024)
WEB FLAC (tracks) - 312 Mb | MP3 CBR 320 kbps - 233 Mb | 01:41:29
Classical | Label: Oehms Classics

This series marks the 200th anniversary of the birth of Anton Bruckner, which falls in 2024. It’s dedicated to Bruckner’s symphonies, most of them recorded in new transcriptions for organ by Hansjörg Albrecht. This 10th album was made on the organ at Fraumünster in Zürich using Erwin Horn’s transcription of Bruckner’s 9th Symphony and incorporating Gerd Schaller’s completion of the finale, which Bruckner left unfinished.
Wilhelm Furtwängler - Schubert: Symphony No. 8 (9) / Haydn: Symphony No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC}

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."
Wilhelm Furtwängler - Schubert: Sym. No. 8 (9) / Haydn: Sym. No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC} [RE-UP]

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."