The Munich Philharmonic has arguably given more performances of Anton Bruckner’s music than any other orchestra. A great number of Bruckner recordings lead by the many legendary conductors that have worked for and with the Munich Philharmonic are stored in the historical archive of the MPHIL Label including magnificent pieces with Sergiu Celibidache, Christian Thielemann, Rudolf Kempe, Günter Wand and Oswald Kabasta.
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG
Renaissance polyphony and contemporary sound clouds orbit around vocal late Romanticist like satellites. The Zurich Chamber Singers, conducted by Christian Erny, unearth a special narrative drama. Starting with Anton Bruckner, they turn their attention to Palestrina as a point of reference. At the same time, they cast a spotlight back on the work of the Austrian vocal innovator through three contemporary works. A comprehensive selection of Bruckner&'s Latin motets combined with chosen works by Palestrina and three world premiere recordings of the Stuttgart composer Burkhard Kinzler’s commissioned works.
A CD containing Bruckner’s music for piano may come as something of a surprise, since you either need to know a lot about Bruckner, or conversely very little, to expect such a thing. Yet here it is, and very interesting it is too. Fumiko Shiraga plays very well, and her performances can be described as dedicated and thoroughly prepared. In addition the BIS recorded sound is as good as we have come to expect from this reliable company: full toned and atmospheric, with due attention to detail.
Few conductors have made a greater contribution to our present-day understanding of Bruckner than Günter Wand (1912-2002).
This first box includes Bruckner symphonies nos. 5, 6 and 8 in their original or restored versions as well as an elegant, but rarely performed Haydn Symphony and the "Unfinished" symphonies by Bruckner and Schubert. Later, TDK released the second box of 4 DVDs including the popular Bruckner Symphonies Nos. 4 and 7 and symphonic works by Brahms and Schubert.
Few conductors have made a greater contribution to our present-day understanding of Bruckner than Günter Wand (1912-2002).
This first box includes Bruckner symphonies nos. 5, 6 and 8 in their original or restored versions as well as an elegant, but rarely performed Haydn Symphony and the "Unfinished" symphonies by Bruckner and Schubert. Later, TDK released the second box of 4 DVDs including the popular Bruckner Symphonies Nos. 4 and 7 and symphonic works by Brahms and Schubert.
Few conductors have made a greater contribution to our present-day understanding of Bruckner than Günter Wand (1912-2002).
This first box includes Bruckner symphonies nos. 5, 6 and 8 in their original or restored versions as well as an elegant, but rarely performed Haydn Symphony and the "Unfinished" symphonies by Bruckner and Schubert. Later, TDK released the second box of 4 DVDs including the popular Bruckner Symphonies Nos. 4 and 7 and symphonic works by Brahms and Schubert.
These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).