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Although this Blue Note session (reissued on CD in 1996) is led by trumpeter Johnny Coles, pianist Duke Pearson (who contributed the arrangements and five of the six compositions) really functioned as leader. The typically impressive Blue Note lineup (which includes Leo Wright on alto and flute, tenor saxophonist Joe Henderson, bassist Bob Cranshaw, and either Walter Perkins or Pete LaRoca on drums, in addition to Coles and Pearson) handles the obscure material with creative invention.

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Temporarily reuniting with his former Clash partner Joe Strummer (who co-produced this album and co-wrote five songs), Mick Jones expands on the formula of the debut with Big Audio Dynamite's second album. No. 10 Upping Street features better songs that meld samples, found sounds, dance rhythms, and elements of hip-hop more completely and effectively than those on the first record.

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