Named after a radical right-wing American organization – and possibly for that reason simply retitled The Arm of the Lord in the States – Covenant, self-produced by the group at its longtime studio Western Works, is something of a curious release.
Body And Soul is a album by Cabaret Voltaire released in 1991. Produced and arranged by Cabaret Voltaire.
Re-emerging with a much more original sound after their 1990 house album, Kirk and Mallinder for the most part rely on abstract electro-inspired ambient-techno with extended voice-over samples for Plasticity. It certainly wasn't the first time CV had remade themselves without losing elements of their past work (even re-sampling a passage originally recorded over ten years earlier on "Soul Vine [70 Billion People]"), and Plasticity was an excellent reworking of the house blueprint into the growing fringe of techno not necessarily produced for the dancefloor. The tribal flourishes of "Deep Time" and the obvious signal track "Inside the Electronic Revolution" showcase the duo as continuing visionaries. ~ John Bush, All Music Guide Source: AMG Review
International Language is a album by Cabaret Voltaire released in 1993. All tracks composed by Richard H. Kirk and Stephen Mallinder. Recorded at Western Works Studio, Sheffield, England.
Shadow of Fear is Cabaret Voltaire’s first studio album in 26 years. Richard H. Kirk is the sole remaining member; he’s released many acclaimed solo albums, having invented bleep techno via his groundbreaking work in Sweet Exorcist. Kirk has formed this new album from a series of pulverising live shows. The tone and personality of CV is ingrained in its core as it dances across techno, dub, house, 1970s Germany and general esoteric explorations coupled with mangled vocal samples.