Cadillac Man

Grammy-nominated guitarist and performer Rick Vito announces his eleventh solo album, ‘Cadillac Man,’ a collection of eleven original tracks and an instrumental version of Sam Cooke’s “Just Another Day.” The album title reflects Vito’s lifelong passion for classic Cadillac cars. “Mr Lucky,” his 1969 Sedan De Ville, is pictured on the cover. Fans of slide and blues guitar will find songs on the album to suit every mood, from rhythmic to rocking, swinging to swampy, and all points in between. One standout is Vito’s original rocking arrangement of “It’s Two A.M.,” previously recorded by Shemekia Copeland and winner of the 2001 W.C. Handy Blues Award for “Song of the Year.”

D.D. Verni is best known as songwriter/founding member and bassist for heavy metal pioneers OVERKILL, a legendary band that has sold millions of records worldwide and has released 19 studio albums from the present dating back to their debut album in 1985. While Verni is a heavy metal legend in his own right, he had always dreamed of creating a big band as his love for the big band sound dates back many years. This was a passion project that he had always looked forward to creating one day. Verni began by writing a fantastic collection of soon-to-be big band classics. Next he recruited longtime Brian Setzer Orchestra upright bassist, John Spazz Hatton, to do horn arrangements and play upright bass. Then DD brought in the LA based horn section from Phat Cat Swinger to play the horns, and added Brian Setzer Orchestra drummer and current Doobie Brothers member, Tony Pia. Add jazz pianist Dave Moscoe and Hot Rod guitarist Damian Bacci, and you have a star-studded line-up of big band greatness that made this album shake and swing.

Behemoth mastermind Adam “Nergal” Darski has signed a menacing pact with the devil once again, returning with dark folk/blues/Americana influenced solo project ME AND THAT MAN’s third full-length studio album, New Man, New Songs, Same Shit, Vol.2, on November 19, 2021 via Napalm Records. As a sequel to the project’s previous record, New Man, New Songs, Same Shit, Vol.1 (2020), the enthralling new offering follows the exciting path Nergal then set ablaze, once again featuring an abundance of heavy music icons – but this time, he takes it to a whole new level. Experience greats such as Gary Holt (Slayer, Exodus), Alissa White-Gluz (Arch Enemy), Randy Blythe (Lamb Of God), Myrkur, Devin Townsend, David Vincent, Doug Blair (W.A.S.P), Hank von Hell (Turbonegro) and Olve Abbath Eikemo (Immortal, Abbath) intertwining with the album’s bewitching collection of occult anthems, marking another breathtaking symbiosis of unfiltered blues, gothic-laced folk, country essence and touch of evil you’ll swear was either beamed straight out of hell or the most blackened of churches.

Leaving a lasting impression on fans with their high-octane live shows and chart-topping songwriting skills, THE CADILLAC THREE continue to make their mark with LEGACY, their follow up to 2016's BURY ME IN MY BOOTS. With a sound all of their own that hovers between radio-ready Country anthems, hard-and-heavy Rock ballads and traditional Southern folk, the trio brings the same energy from their sold-out crowds into the studio.

These are the recordings that prompted Sun Records chief Sam Phillips's oft-repeated assertion: "This is where the soul of a man dies." Phillips oversaw sessions by the likes of Elvis Presley, Jerry Lee Lewis, and B.B. King, but the guttural electric blues of Howlin' Wolf captured his fancy like nothing else–and it's not hard to see why. The Wolf of these '52 sessions was just a few years off the farm, having begun to play West Memphis, Arkansas, juke joints, and cat houses following World War II. Working with a small but feral band highlighted by lead guitarist Willie Johnson (called by some the Jimi Hendrix of his day), the already middle-aged singer and harmonica player created a sound in the early '50s that bridged the Mississippi blues that were his roots with the amped Chicago blues that were his destiny…