Caravan

Three young and very talented Blues artists - Aynsley Lister, Ian Parker and Erja Lyytinen - hit the road together with the annual Ruf Records Blues Caravan label tour of Europe and the USA. They showcase their blues prowess as young artists, taking their lead from the legends and creating The New Generation. All successful artists in their own right, the Blues Caravan tour has seen the three come together in front of some very enthusiastic fans to play the songs they recorded during their joint pilgrimage to the heart of blues, the American Deep South.

Summoning Juan Tizol's travel-worn "Caravan" to raise the curtain on a big-band album poses a challenge for any arranger, one that John La Barbera easily brushes aside on the third recording as leader of his own ensemble. And while "Caravan" dazzles in La Barbera's capable hands, it is merely the opening salvo in a session that smolders from end to end…

Before the recording of Waterloo Lily, David Sinclair departed Caravan to join forces with Soft Machine skinsman Robert Wyatt and form Matching Mole. With the subsequent arrival of former Delivery member Steve Miller and an overwhelming jazz influence, the edgier progressive rock and folk elements that were so prevalent on their previous albums are somewhat repressed. The band's performance level did not suffer in the transition. In fact, the addition of Miller only punctuates Caravan's previously honed improvisational skills. Beginning with Waterloo Lily's leadoff title track, there is a sound more akin to the jazzier efforts of Traffic. Miller's "Nothing at All" incorporates the jazz fusion even further as the long instrumental introduction more than hints at Steely Dan circa Katy Lied…

Caravan followed up their eponymous debut with the cryptically titled If I Could Do It All Over Again I'd Do It All Over You in the fall of 1970. If I Could Do It All Over Again contains significant progressions over the first album. These include the intricacy with which compositions are sculpted around some of the finest instrumental improvisation in British rock at the time - or arguably since. Caravan's uncanny ability to create a montage that effortlessly maneuvers through acoustic folk and electric progressive rock is best exemplified on the "With an Ear to the Ground" suite. The extended instrumental passages weave in and out of each other, creating a hypnotic and otherwise psychedelic soundscape that would become a trademark of the European progressive rock movement…

This is the first of two collections of material Caravan recorded for the BBC, spanning the years 1970-1974. Caravan is one of the most versatile of the Canterbury family of English psychedelic and progressive rock, capable of winsome, witty pop songs as well as complex but melodic extended workouts. Songs for Oblivion Fishermen features examples of both styles. Half the disc features the band's original lineup with highly rated bassist Richard Sinclair. For the seasoned Caravan enthusiast, the repertoire is somewhat predictable, including standards "If I Could Do It All Over Again, I'd Do It All Over You," "Hello Hello," "In the Land of Grey and Pink," and "Memory Lane Hugh." To the band's credit, it does not attempt to recreate its studio recordings note for note, adding interest for longtime fans…