Cat Sense

Last November in London, Cat Power took the stage at Royal Albert Hall and delivered a song-for-song recreation of one of the most fabled and transformative live sets of all time. Held at the Manchester FreeTrade Hall in May 1966—but long known as the “Royal Albert Hall Concert” due to a mislabeled bootleg—the original performance saw Bob Dylan switching from acoustic to electric midway through the show, drawing ire from an audience of folk purists and forever altering the course of rock-and-roll. In her own rendition of that historic night, the artist otherwise known as Chan Marshall inhabited each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy. Now captured on the live album CatPower Sings Dylan: The 1966 Royal Albert Hall Concert, Marshall’s spellbinding performance both lovingly honors her hero’s imprint on history and brings a stunning new vitality to many of his most revered songs.

Cat Stevens’ 1971 album Teaser and the Firecat will be reissued in November across five physical formats, including TWO super deluxe editions. The classic album includes songs such as ‘Moonshadow’, ‘Peace Train’, ‘Morning Has Broken’ and ‘The Wind’. It has been remastered at Abbey Road Studios, overseen by original album producer, Paul Samwell-Smith and as with previous reissues, an extensive super deluxe edition is the premium offering.

There are no surprises in sound and style on Morph the Cat, Donald Fagen's long-awaited third solo album, nor should any be expected – ever since Steely Dan's 1980 masterwork, Gaucho, his work, either on his own or with longtime collaborator Walter Becker, has been of a piece. Each record has been sleek, sophisticated, and immaculately produced, meticulously recorded and arranged, heavy on groove and mood, which tends to mask the sly wit of the songs. When it works well – as it did on Fagen's peerless 1982 solo debut, The Nightfly, or on Steely Dan's 2001 comeback, Two Against Nature – the results go down smoothly upon first listen and reveal their complexity with each spin; when it doesn't quite succeed – both 1993's Kamakiriad and the Dan's 2003 effort Everything Must Go didn't quite gel – the albums sound good but samey on the surface and don't quite resonate.