cd 2020

Southern California progressive-rock outfit Scarlet Hollow returns with “A Window To October” the quartets highly anticipated sophomore album. The Scarlet Hollow sound is powerful, light and dark, ethereal, heavy and melodic with an emphasis on the rock in progressive rock. Respecting the listener’s intelligence by performing and producing high quality music with thought provoking lyrics and sonic sophistication. Scarlet Hollows music is made with a high level of musicianship, yet nothing seems sterile and polished so much that all the raw energy and emotion is squeezed out of it. They blend diverse influences to make music that is not geared towards pop music trends and fashion statements.

With 2020’s Sunset in the Blue singer Melody Gardot sinks into a dusky and languorously produced album that builds upon her love of jazz standards, Brazilian music, and intimate balladry. The record finds Gardot surrounded by a production dream team, including longtime associate Larry Klein, who helmed 2009’s My One and Only Thrill and 2015’s Currency of Man, as well as equally acclaimed studio pros, arranger Vince Mendoza and engineer Al Schmitt. Together, they have crafted a showcase for Gardot’s delicately nuanced vocal style. The album is an interesting dichotomy, at once intimate as if Gardot is singing to you in a small club, yet also widescreen, framing her hushed vocals in sweeping orchestrations that reinforce the romantic drama at play in the songs.

With 2020’s Sunset in the Blue singer Melody Gardot sinks into a dusky and languorously produced album that builds upon her love of jazz standards, Brazilian music, and intimate balladry. The record finds Gardot surrounded by a production dream team, including longtime associate Larry Klein, who helmed 2009’s My One and Only Thrill and 2015’s Currency of Man, as well as equally acclaimed studio pros, arranger Vince Mendoza and engineer Al Schmitt. Together, they have crafted a showcase for Gardot’s delicately nuanced vocal style. The album is an interesting dichotomy, at once intimate as if Gardot is singing to you in a small club, yet also widescreen, framing her hushed vocals in sweeping orchestrations that reinforce the romantic drama at play in the songs.

With 2020’s Sunset in the Blue singer Melody Gardot sinks into a dusky and languorously produced album that builds upon her love of jazz standards, Brazilian music, and intimate balladry. The record finds Gardot surrounded by a production dream team, including longtime associate Larry Klein, who helmed 2009’s My One and Only Thrill and 2015’s Currency of Man, as well as equally acclaimed studio pros, arranger Vince Mendoza and engineer Al Schmitt. Together, they have crafted a showcase for Gardot’s delicately nuanced vocal style. The album is an interesting dichotomy, at once intimate as if Gardot is singing to you in a small club, yet also widescreen, framing her hushed vocals in sweeping orchestrations that reinforce the romantic drama at play in the songs.

Reissue double pack of two of Michael Chapman's releases. Includes 1999's Twisted Road and 2005's Plaindealer. Michael Robert Chapman is an English singer-songwriter and guitarist. Chapman originally began playing guitar with jazz bands, mainly in his home town of Leeds in The West Riding of Yorkshire. He became well known in the folk clubs of the late 1960s, as well as on the 'progressive' music scene, and has recorded over 40 albums to date. In 2016 Chapman celebrated 50 years as a professional musician. He still plays professionally and regularly tours in the UK, Europe and US.

From Monteverdi to Brahms via French Baroque rarities: the Decca Gold (US) legacy of a complete musician, newly remastered and issued complete for the first time, with fascinating liner notes by Nigel Simeone. Original Jackets, Limited Edition.

Come Go With Me: The Stax Collection presents all of The Staple Singers’ studio albums released on the iconic Stax label, spanning 1968-1974. The final, seventh disc offers rarities, non-album singles, and several live recordings from the legendary 1972 Wattstax music festival. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins.