For his electrifying 21st studio album, CHASING THE SUN, acclaimed singer-songwriter and master guitarist Colin James assembled a towering roster of musical guests - Americana icon Lucinda Williams, harmonica ace Charlie Musselwhite, and legendary producer-guitarist Colin Linden, to name just three - to amplify seven scorching blues-rock originals and four dazzling covers. Co-written with longtime sidekick Tom Wilson (Blackie and the Rodeo Kings) and the MacDonald Brothers (The Trews), the new album finds James powerfully building on a repertoire that has earned him eight JUNO Awards, 31 Maple Blues Awards, and induction in the Canadian Music Industry Hall of Fame. Colin James' career has spanned over 35 years, with a track record that includes 20 studio albums and multi-platinum record sales.
For his electrifying 21st studio album, CHASING THE SUN, acclaimed singer-songwriter and master guitarist Colin James assembled a towering roster of musical guests - Americana icon Lucinda Williams, harmonica ace Charlie Musselwhite, and legendary producer-guitarist Colin Linden, to name just three - to amplify seven scorching blues-rock originals and four dazzling covers. Co-written with longtime sidekick Tom Wilson (Blackie and the Rodeo Kings) and the MacDonald Brothers (The Trews), the new album finds James powerfully building on a repertoire that has earned him eight JUNO Awards, 31 Maple Blues Awards, and induction in the Canadian Music Industry Hall of Fame. Colin James' career has spanned over 35 years, with a track record that includes 20 studio albums and multi-platinum record sales.
The UK's leading big band, The Syd Lawrence Orchestra, were chosen by producer Mike Valentine for his exploration into the sound differences between direct cut vinyl and a multi-track analogue tape recording and mix done of exactly the same event. The album had to be recorded live so he had to choose a selection of music which would be of the perfect length. Valentine chose a recording studio which not only had a superb sounding space, but also an engineer versed in the black art of cutting live vinyl. Ultimately, he chose Air Studios with engineers Jake Jackson and John Webber. The Syd Lawrence Orchestra led by Chris Dean perform music consisting of eight pieces from the big band era, the creations of Glen Miller, Artie Shaw, and Benny Goodman played live at Air Studios. That recording is now available on CD - enjoy!
Tony Grey is part of a new fraternity of extraordinary young electric bass guitar virtuosos (along with Matthew Garrison, Hadrien Feraud) who have taken the vocabulary of pioneers like Jaco Pastorius and Stanley Clarke to the next level. The British-born bassist, a Berklee College of Music grad, has played on recordings by John McLaughlin (2006′s Industrial Zen) and the Japanese keyboard wiz Hiromi Uehra (2004′s Brain, 2006′s Spiral and 2007′s Time Control). On Chasing Shadows, his second recording as a leader (he previously released the self-produced Moving through his own website), Grey steps out in impressive fashion as a bandleader, accomplished composer and outstanding soloist.
Chasing The Dragon's first "Direct Cut" album was of the Interpreti Veneziani performing a wonderful version of Vivaldi's Four Seasons. When chatting with Paolo, the orchestra's organizer, CTD discovered the group had never taken part in a 'live' recording. They have always performed in the San Vidal Church which is in the Accademia area of Venice. The acoustics in the church are outstanding. So after some discussion with the orchestra, they were convinced to record a live double album there. This would mean that a small crew would have to go to Venice and record 5 live concerts. It's a dirty job, but somebody had to do it! The jump factor of this album really has to be heard!
Yumi Zouma’s Josh Burgess likens the band’s songwriting process to gardening, “Someone brings in a seed and through collaboration, it grows into a song that is vastly different from its original form.” Like any garden, this one requires dedicated tending, a practice that seems rather inconvenient if not straight-up difficult, considering the fact that the four members live in disparate parts of the world – calling New York, London, and New Zealand home – but long-distance has always been a feature of their songwriting process, not a bug. Their new album, Present Tense, is the product of those efforts, a work Christie Simpson describes as “a gallery wall displaying these different moments in each of our lives. A process of curation, revisiting the past and making it relevant to the present.”
Yumi Zouma’s Josh Burgess likens the band’s songwriting process to gardening, “Someone brings in a seed and through collaboration, it grows into a song that is vastly different from its original form.” Like any garden, this one requires dedicated tending, a practice that seems rather inconvenient if not straight-up difficult, considering the fact that the four members live in disparate parts of the world – calling New York, London, and New Zealand home – but long-distance has always been a feature of their songwriting process, not a bug. Their new album, Present Tense, is the product of those efforts, a work Christie Simpson describes as “a gallery wall displaying these different moments in each of our lives. A process of curation, revisiting the past and making it relevant to the present.”