Chick Corea 2024

Following his big band arrangements of John Coltrane’s classics, "A Love Supreme" and "Africa/Brass", Christophe Dal Sasso tackles Chick Corea's "Three Quartets". Under the expert guidance of the arranger, his big band (Voted France’s best jazz orchestra in 2020) revisits the legendary album, featuring in the footsteps of the late Michael Brecker, three exceptional saxophonists: David El-Malek, Stéphane Guillaume and Rick Margitza. A lively and spectacular tribute to the pianist who passed away in 2021.

Remembrance, a new double album out May 10, serves as a moving final document of the profound creative and personal rapport that banjoist Béla Fleck and pianist Chick Corea first showcased at album length with 2007’s Latin Grammy-winning The Enchantment. It’s also a crucial addendum to Corea’s legacy, featuring three previously unreleased Corea compositions as well as five short free improvisations, or impromptus, that Fleck has infused with written music. “We pushed this duo to a new place before we ran out of time,” says Fleck, who produced Remembrance. “We have here another cool look at Chick Corea, at the different ways that he can play that we wouldn’t have had. There’s a lot of great Chick Corea out there, and this is different.”

For the second time in two years, Chick Corea has assembled a band to give aural illustration to the fantasy writings of L. Ron Hubbard. For those who have trouble with Hubbard and his teachings, this may be a red flag to avoid the record altogether. The Ultimate Adventure is a tale that draws on characters from the Arabian Nights - there is an ad for the book in the back of the CD booklet. With that out of the way, one has to deal with the music entirely on its own terms. Corea has spent decades playing both electric and acoustic jazz. This is the first time since 1976's My Spanish Heart that he has woven his love of both so completely into a single album. There are more than a few echoes here that call upon the ghosts of the earliest Return to Forever band - primarily in the gorgeous flute playing of Hubert Laws and Jorge Pardo, in the saxophone artistry of Tim Garland, the drumming of Steve Gadd…

Joe Henderson is the essence of jazz. He embodies all the elements that came together in his generation: the virtuosity of hard bop and the avantgarde. He can be harmonically abstract and yet keep to the roots. On 1980's "Mirror, Mirror", Henderson has gathered a truly all-star group. This album isn't about a soloist and his sidemen: all the musicians are on an equal footing, everyone has their space to play.

Tones for Joan's Bones, Chick Corea's first session as a leader, is a blazing, advanced hard bop set from late 1966, with writing that reveals an affinity with McCoy Tyner's seminal hard bop structures from this period. Tenor player Joe Farrell and trumpeter Woody Shaw are ideal for this music. They deliver virtuoso performances that are both visceral and cerebral. Steve Swallow, while later focusing exclusively on electric bass, often with a melodic, impressionistic approach, is pure thunder here. In a blindfold test his acoustic bass could be mistaken for Buster Williams'. Drummer Joe Chambers is all relentless, propulsive energy, but subtle too. Corea is a torrent of harmonic and melodic imagination, couched in unerring rhythm. Anybody with an interest in this vital and exciting period will find this session indispensable.