Peter Bogdanovich est un critique, acteur et réalisateur de cinéma américain, dévoilant les coulisses de l'usine à rêves, les secrets de tournage, les rapports de force avec les studios, et les points de vue des créateurs sur chacun de leurs films. Mine d'informations sur l'industrie du cinéma classique hollywoodien, c'est aussi un livre indispensable à tout apprenti cinéaste. …
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Cinema 's latest art, in other words the seventh art. Six other arts include theater, painting, sculpture, music and dance. Among these are the only art cinema is not only to serve a six-art but also promoting them have been able to forgive. As well as the cinema industry, the technique is also employed in your text. In the collection you will be familiar with the cinema and science of cinema.
Bill Evans At Town Hall (1966). This LP is a superior effort by Bill Evans and his trio in early 1966. The last recording by longtime bassist Chuck Israels (who had joined the Trio in 1962) with Evans (the tastefully supportive drummer Arnold Wise completes the group), this live set features the group mostly performing lyrical and thoughtful standards. Highlights include "I Should Care," "Who Can I Turn To," and "My Foolish Heart." The most memorable piece, however, is the 13-and-a-half-minute "Solo: In Memory of His Father," an extensive unaccompanied exploration by Evans that partly uses a theme that became "Turn Out the Stars"…
The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s…
The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s…