Chuck Jones Conversations

The Rolling Stones - Get Yer Ya-Ya's Out! + Exile On Main St. [5CD+2DVD] {40th Anniversary Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.46 Gb | MP3 @320 -> 518 Mb
2DVD5 -> 3.21 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch / Dolby AC3, 6 ch | ~ 60m | ISO Images
Subs (en, fr, ger, esp, port, it) | Full Artwork @ 300 dpi (png) -> 514 Mb | 5% repair rar
© 2009, 2010 ABKCO Records / Promotone B. V. / Polydor | ABKCO 02392 / 273 429-5
Rock / Blues Rock / Hard Rock

In November 1969, the Rolling Stones’ staged an epic two-night stand at New York’s Madison Square Garden that provided tunes for the band’s first official Stones-approved live album, Get Yer Ya-Ya’s Out! To celebrate the 40th anniversary of Ya-Ya’s!, ABKCO will release a remastered deluxe and super-deluxe edition of the live album, a three-disc/one-DVD box set complete with five unreleased songs from the MSG shows. Additionally, one disc in the set will be dedicated to the sets from the MSG shows’ two opening acts, B.B. King and Ike & Tina Turner.

Marc Ribot is one of the most inventive guitarists of his generation the discreet legend of the New York scene, the composer, improviser and accompanist is sought-after by the biggest international pop stars.

This wonderful tribute concert to the hero of lyrical Jazz Piano features Kenny Wheeler, Gordon Beck and friends at the Brewhouse Theatre, London 1992. The prolific and exceptionally musical Evans was proufoundly influential across the Jazz world, and several of his finest compositions are performed in this exceptional tribute event.

With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist only McCoy Tyner exerts nearly as much pull among younger players and journeymen and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed, lyrical, European classical sensibility into jazz and that seems to have attracted a lot of young conservatory-trained pianists who follow his chord voicings to the letter in clubs and on stages everywhere.

The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s. The first lineup of Styx began to emerge once John Curulewski (guitar/synthesizer/vocals) and James "J.Y." Young (guitar/vocals) joined up, initially surfacing under the moniker TW4.

The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s…

The 1972 self-titled album from Chicago-based quintet Styx could be considered an ambitious outing for any band's debut. Clearly influenced by the primarily U.K-centered progressive rock scene, Dennis DeYoung (keyboard/vocals) hooked up with twin siblings Chuck Panozzo (bass/vocals) and John Panozzo (drums/percussion/vocals) in a combo named the Tradewinds during the late '60s…