Cold Wave

Urban Verbs - Early Damage
FLAC | Artwork | 24Bit 96kHz: 876 MB | 16Bit 44.1kHz: 277 MB
Cat#: Warner BSK 3533 | Country/Year: US 1981
Genre: Post Punk, New Wave | Hoster: Uploaded/Filesonic

In 1977 Urban Verbs rehearsed in the Atlantis Bldg at 930 "F" St. NW Washington D.C.. Robert Goldstein began to book bands in a derelict bar in the building named The Atlantis Club: which was where Urban Verbs played their first shows and became a nexus of the DC New Wave / Punk rock scene. In 1980 the Atlantis Club became the 9:30 Club. Urban Verbs played CBGB’s in 1978 with the Cramps and producer Brain Eno was in the audience. The band received numerous positive reviews in the New York Times, the Washington Post, and the City Paper among others. Urban Verbs became the darlings of the DC avante garde art scene playing numerous shows at the Washington Project for the Arts, DC Space, the Pension Building and the Corcoran School of Art.

Cold Chisel - The Live Tapes - Vol 4 (2017) {3CD Set Universal CC017}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.13 Gb | MP3 @320 -> 381 Mb
Full Artwork @ 300 dpi (png) -> 51 Mb | 5% repair rar
© 2017 Cold Chisel / Universal | CC017
Rock / Hard Rock / Blues Rock / Pub Rock

In December 2015 Cold Chisel ended their massive One Night Stand tour with three special shows they dubbed The 'Last Stand' of the Sydney Entertainment Centre. These wild, unhinged and emotional shows were played immediately prior to the iconic venue's demolition and for Cold Chisel it had a double sense of occasion, given that the "Ent Cent" was the venue where Cold Chisel played their legendary farewell shows back in December, 1983 - the band not playing together again for another 15 years.

Australian rock veterans Cold Chisel may have continued to remain a crowd-drawing, if slightly sporadic, live presence throughout the last decade, but up until now have been strangely reluctant to add to their back catalog of national treasures. However, following the death of their drummer Steve Prestwich earlier in the year, Jimmy Barnes and company have regrouped for their first new compositions in over 13 years, ensuring that All for You is more intriguing than your average cynical cash-in compilation. Indeed, alongside the emotive barroom balladry of the title track and the old-school rockabilly of "HQ454 Monroe," both of which fit comfortably next to the other 18 more familiar favorites, the track list, selected by thousands of visitors on their official website, also highlights the fact that this is very much a fan-friendly affair.