Colin Davis Claudio Arrau Beethoven Concertos

Though it`s hardly uncommon for a musician to be performing and recording at age 85, it`s difficult to think of many octogenarian performers who continue to explore new paths. Arrau is the wonderful exception, as his current Beethoven cycle for Philips has indicated time and again. This recording of the first two piano concertos offers further proof, for here Arrau turns in performances that force us to reconsider these works. We may be accustomed to hearing the First Concerto played with lightness and Mozartean elegance, but Arrau goes well beyond this cliche. His account of the first movement has a depth and mystery it is rarely accorded.

Limited Edition 80-CD set presenting Claudio Arrau’s complete Philips and American Decca recordings plus his live recording of Beethoven’s Piano Concerto No.4 with Leonard Bernstein (Amnesty International) on Deutsche Grammophon. Balancing invincible technical accuracy and virtuosity with rigorous intellectual and spiritual stimulation, Claudio Arrau played to probe, divine and to interpret the will of the composer, always faithful to the text. He viewed technique and virtuosity as inseparable from musical expression and constantly stressed the expressive, spiritual and creative power of virtuosity while downplaying its sensational aspect and suffusing every note with meaning.

Limited Edition 80-CD set presenting Claudio Arrau’s complete Philips and American Decca recordings plus his live recording of Beethoven’s Piano Concerto No.4 with Leonard Bernstein (Amnesty International) on Deutsche Grammophon. Balancing invincible technical accuracy and virtuosity with rigorous intellectual and spiritual stimulation, Claudio Arrau played to probe, divine and to interpret the will of the composer, always faithful to the text. He viewed technique and virtuosity as inseparable from musical expression and constantly stressed the expressive, spiritual and creative power of virtuosity while downplaying its sensational aspect and suffusing every note with meaning.

This big 12 CD set is part of EMI’s Icon series. The set therefore concentrates on mid-period Arrau. Companies such as Marston have brought out editions devoted to his earliest recordings on 78, and the later recordings, for example concerto collaborations with Haitink and Colin Davis, are very well known. Which is not to say that these EMI recordings aren’t well enough known; they certainly are.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.

A special limited-edition 50 CD set of the world's favourite piano concertos, sonatas and other solo pieces. A host of famous pianists perform music from J.S.Bach to Tchaikovsky, Rachmaninov, Prokofiev and Gershwin. This collection of discs includes the five Beethoven Concertos, three Rachmaninov Concertos as well as concertos by Brahms, Grieg, Mendelssohn, Liszt, Schumann and Ravel as well as six Mozart Concertos.

Comprehensive overview of the piano repertoire in classic performances! Super-budget pricing: 50 CDs for less than the price of 6! Includes all the major concertos, sonatas and other solo works. An obvious and quite reasonable question about this set is just how did Decca come to produce this diverse set of recordings involving so many high quality pianists? The most likely way – to simply box 50 previously produced disks – does appear to have been the main method used, but perhaps not always.