Colosseum

Wardance shows many of the attributes associated to symphonic rock, from a surrealistic record cover and detailed information about what amplifiers and cymbals the band uses, to song titles like "Star Maiden/Mysterioso/Quasar." But even though Colosseum II had much in common with symphonic rock, they were more of a jazz-rock or fusion band. While none of the musicians are anything even close to restrictive in their playing, Moore's solo guitar is what many of the songs are built up around. His distinctive way of playing, while still in development, is clearly heard, as are similarities to his first solo album Grinding Stone, especially in the album's only vocal song, "Castles." This was the second album released by Colosseum II in 1977, and their third in two years.

Recorded during the last show of their North American tour for their 2012 album, Fanatic, Heart deliver a ripping set of new songs and classics on Fanatic Live from Caesars Colosseum. Recorded for television at Caesars Colosseum in Windsor, Ontario, the show finds Ann and Nancy Wilson in fine form as they play through a 14-song set that includes classic rock staples like "Crazy on You," "Barracuda," and "Alone."…

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

A chance to sit back and enjoy the “reunion era” Colosseum live on stage at the 2003 Viersen Jazz Festival performing tracks from then-new album Tomorrow’s Blues. Recorded during founder member Dick Heckstall-Smith’s  nal illness, world renowned saxophonist Barbara Thompson (Jubiaba, Paraphernalia) steps in. The result is a powerful performance from Barbara, Clem Clempson (guitar), Dave Greenslade (keyboards), Mark Clarke (bass), Chris Farlowe (vocals) and bandleader Jon Hiseman (drums). Alongside newer material including ‘I Could Tell You Tales’, the ensemble return to their Prog roots with a captivating rendition of ‘The Valentyne Suite’ and an epic ‘Lost Angeles’ (the latter  rst released on their 1970 album The Grass Is Greener). ‘In The Heat Of The Night’ gives full rein to Farlowe’s mastery of the blues as Colosseum reinterpret Ray Charles’ original with some note-bending licks from Clem and Barbara’s sultry sax underpinning the closing number. Interspersed with interview footage with Jon Hiseman in which he explores the band’s musical complexity and continuing popularity in light of their decision to reform in 1994, this beautifully packaged CD/DVD presentation is a must for all Colosseum fans. As Hiseman explains: “You have to feed this creature. If you don’t feed it, it dies. Also, you can’t make it do, what it doesn’t want to do.”

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."