Of all the few truly innovative bands in the realm of extreme metal, few are as exciting to follow from a chronological standpoint as Napalm Death. Beginning with their roots in the mid-'80s as a mutated hardcore punk band with a tendency to detune their guitars, growl their vocals, and play at apocalyptic levels of intensity, the band soon went through many phases that have been nearly as influential: by the late '80s they were the world's definitive grindcore band; at the dawn of the '90s they integrated the complexities of death metal into their grindcore; then in the early '90s they began experimenting with different mutations of post-grindcore metal; and finally in the late '90s they began playing a unique style of metal that blended together the best elements of grindcore, death metal, and mainstream metal…
Esoteric Recordings is pleased to announce the release of a 4 CD clamshell boxed set that gathers together all the recordings made for the classic “Potatoland” album by SPIRIT. The album was born in 1973 following the release of guitarist Randy California’s “Kaptain Kopter and the Fabulous Twirlybirds” album (made shortly after his departure from Spirit)…
Tracking down the ultimate woman blues guitar hero is problematic because woman blues singers seldom recorded as guitar players and woman guitar players (such as Rosetta Tharpe and Sister O.M. Terrell) were seldom recorded playing blues. Excluding contemporary artists, the most notable exception to this pattern was Memphis Minnie. The most popular and prolific blueswoman outside the vaudeville tradition, she earned the respect of critics, the support of record-buying fans, and the unqualified praise of the blues artists she worked with throughout her long career. Despite her Southern roots and popularity, she was as much a Chicago blues artist as anyone in her day. Big Bill Broonzy recalls her beating both him and Tampa Red in a guitar contest and claims she was the best woman guitarist he had ever heard…
Average White Band are widely and rightly regarded as one of the best ever soul and funk bands. Although probably best known for their global hit, the US #1 single ‘Pick Up The Pieces’, this extensive anthology delves back into their musical history, from the early sessions in 1971, right up to the most recent studio album released this millennium. ‘All The Pieces…’ features the band’s entire catalogue of recorded material on a 19CD box set, which includes all of the original studio albums (and ‘spoilers’ ‘Put It Where You Want It’ and ‘Volume VIII’) in mini-vinyl replica wallets, alternate versions and selected mixes, in this 172-track collection…
Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.