Complete Singles

Following the success of the four 7' singles box sets, we present the singles - A-sides, B-sides and EP tracks from the legendary Who on CD. 86 tracks from the Brunswick, Reaction, Track and Polydor labels including classic hits, and rarely heard B-sides. The Box also features the band s first single, as the High Numbers Zoot Suit b/w 'I'm The Face. Five CDs, in separate wallets, housed in a rigid, lift-off box with a 48 page booklet featuring track by track annotation and period photos.

Given the sheer number of Who compilations over the years - including The Who Hits 50!, a career-capping retrospective that appeared just three years prior to this 2017 box - it may be easy to cast a cynical eye upon Maximum A's & B's, which it doesn't deserve. For one, there hasn't been a large-scale Who box set since 1994's Thirty Years of Maximum R&B - most of the comps have been simple hits collections - and, secondly, the Who benefit from having attention being drawn to their singles. At the dawn of their career, the Who mastered 7" blasts of pop art and even when Pete Townshend toiled over rock operas, he couldn't resist the pull of a 45, releasing non-LP singles as late as 1972 and hiding excellent songs on B-sides along the way. The Who continued to release singles over three-plus decades, using them as calling cards for reunions or samplers of latter-day live albums, and Maximum A's & B's collects them all…

A two-CD, 53-track set that includes for the first time ever the A and B side of every single the group released, all in their impossible-to-find-on-CD original U.S. mono single mixes. But this one-of-a-kind collection—which is remastered by Aaron Kannowski, the engineer responsible for our other acclaimed collections of singles by fellow Dunhill label acts The Grass Roots and Steppenwolf—doesn’t stop with The Mamas and the Papas’ singles. It also includes the solo single sides that group members Mama Cass Elliot, Denny Doherty and John Phillips cut for the Dunhill and ABC labels, again in their rare, original single mixes. Many of the solo singles and B-sides have never been on CD, let alone in their single mixes; plus, over the course of listening to this set (which clocks in at over 150 minutes), you’ll hear such legendary songs as “Monday, Monday,” “California Dreamin’,” “Creeque Alley,” “I Saw Her Again,” “Words of Love,” “Dream a Little Dream of Me,” “Glad to Be Unhappy,” “Dedicated to the One I Love,” and “It’s Getting Better” exactly as folks heard them over the radio back in those halcyon days.

Fifty-Two Years: The Complete Singles “ includes both sides of every single – all in their original mixes/edits – that Bowie released in his five decade long career. As the music industry moved away from 7? 45s in the ’90s and ’00s and toward CD EPs, 12? dance mixes and downloads, every effort was made to keep with the original singles concept so some of these other formats are included, if there were unique versions, and it appeared that The Thin White Duke had intended it to be a stand alone release or to promote a new album. Each of his forays into different genres/personas are fully documented here.