Coronation

Soprano Teresa Cahill leads an excellent quartet of soloists in this recording of the Coronation Ode, and Sir Alexander Gibson draws pleasingly bold and brassy playing from the Scottish National Orchestra. The final movement, with its famous setting of Land of Hope and Glory, is especially satisfying here.

This disc brings together recordings made in the 1980's as part of a reduction of three original discs down to two. At the same time, the original fine recordings have been remastered to good effect with added depth and space. This makes a particularly important improvement to the Coronation Anthems which previously came over as sonically lacking ideal breadth, depth and recorded weight in Zadok. The ears adjusted after that.

On this disc, the Choir of St John’s College, Cambridge performs alongside four soloists and the period instrument ensemble St John’s Sinfonia. The tenor Sam Furness and bass George Humphreys both started their careers as Choral Scholars with this very choir. The mezzo-soprano Frances Bourne is in great demand on the concert platform and has sung with many of Europe’s leading conductors; the soprano Susan Gritton has amassed a vast discography that has earned her two Grammy nominations and includes, for Chandos, recordings of works by Haydn, Schubert, Mendelssohn, and Vaughan Williams.

Sir Colin Davis, R.I.P., leads the London Orchestras (LSO–BBC) in performances given in February 1971 for the K.317 and 427, and in September 1967 for the K.626 Requiem. Both Helen Donth, soprano and tenor Ryland Davies sing in all here works and the choirs are the Alldis and LSO Chorus. Davis, of course, conducts the entire project in a raversal of the major liturgical works by the composer, for Philips.

Peter Schreier brought a lifetime's experience as a singer to the conductor's rostrum in his accounts of Mozart's Requiem, Coronation Mass, and motet Ave verum Corpus. The performances were recorded in Dresden between 1982 and 1992. A major plus is highly disciplined singing by the Leipzig Radio Chorus, whose clarity of diction and finely balanced ensemble adds much to your enjoyment of these performances; they're heard on their own account in the motet that concludes this reissue. The Requiem (in Süssmayr's completion) is powerfully and urgently driven.