Cpo
Egon Wellesz - Symphonies 1-9 (RSO Wien/Rabl, 2008 CPO) Music
Posted by wursthans at Sept. 6, 2009
Egon Wellesz - Symphonies 1-9 (RSO Wien/Rabl, 2008 CPO)
Genre: Late Romantic | 4 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 1,24 GB
2001-2004 recording, 2008 release | Publisher: cpo records 777 183-2
RapidShare
Genre: Late Romantic | 4 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 1,24 GB
2001-2004 recording, 2008 release | Publisher: cpo records 777 183-2
RapidShare
Paul Hindemith – Orchestral Music Vol. 1 (CPO) Music
Posted by siouxsie55 at March 28, 2011
Paul Hindemith – Orchestral Music Vol. 1 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 286 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 286 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Paul Hindemith – Orchestral Music Vol. 2 (CPO) Music
Posted by siouxsie55 at March 28, 2011
Paul Hindemith – Orchestral Music Vol. 2 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 249 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 249 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Paul Hindemith – Orchestral Music Vol. 3 (CPO) Music
Posted by siouxsie55 at March 29, 2011
Paul Hindemith – Orchestral Music Vol. 3 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 282 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 282 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Paul Hindemith – Orchestral Music Vol. 4 (CPO) Music
Posted by siouxsie55 at March 29, 2011
Paul Hindemith – Orchestral Music Vol. 4 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 235 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 235 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Paul Hindemith – Orchestral Music Vol. 5 (CPO) Music
Posted by siouxsie55 at March 29, 2011
Paul Hindemith – Orchestral Music Vol. 5 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 236 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 236 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Paul Hindemith – Orchestral Music Vol. 6 (CPO) Music
Posted by siouxsie55 at March 29, 2011
Paul Hindemith – Orchestral Music Vol. 6 (CPO)
EAC | FLAC+CUE+LOG | Covers | 1 CD | 245 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
EAC | FLAC+CUE+LOG | Covers | 1 CD | 245 MB | Filesonic
XX Century Classical | Released: 1991 | Label: CPO
Hindemith is among the most significant German composers of his time. His early works are in a late romantic idiom, and he later produced expressionist works, rather in the style of early Arnold Schoenberg, before developing a leaner, contrapuntally complex style in the 1920s. This style has been described as neoclassical, but is very different from the works by Igor Stravinsky labeled with that term, owing more to the contrapuntal language of Bach than the Classical clarity of Mozart.
Here I present the 6 Volumes of Orchestral music on the CPO-label
Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 1, 14 & 15 (1999, CPO # 999 403-2) Music
Posted by luckburz at Dec. 2, 2014
Louis Spohr - Violinkonzerte Nr. 1, 14 & 15
Ulf Hoelscher / Rundfunk-Sinfonieorchester Berlin / Christian Fröhlich
EAC+LOG+CUE | FLAC: 274 MB | Full Artwork: 149 MB | 5% Recovery Info
Label/Cat#: CPO # 999 403-2 | Country/Year: Germany 1999
Genre: Classical | Style: Viennese School, Romantic
Hoelscher demonstrates a formidable mastery of Spohr’s technically challenging passagework, although his efforts are somewhat undermined by the recessed sound of the orchestra. (…) Nonetheless, it is fascinating to experience a bird’s-eye view of Spohr’s development, from the elegant if somewhat four-square First Concerto to the more sophisticated harmonic and formal structures of the Fourteenth and Fifteenth.
Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 2 & 5 (1999, CPO # 999 067-2) Music
Posted by luckburz at Dec. 3, 2014
Louis Spohr - Violinkonzerte Nr. 2 & 5
Ulf Hoelscher / Rundfunk-Sinfonieorchester Berlin / Christian Fröhlich
EAC+LOG+CUE | FLAC: 205 MB | Full Artwork: 187 MB | 5% Recovery Info
Label/Cat#: CPO # 999 067-2 | Country/Year: Germany 1999
Genre: Classical | Style: Viennese School, Romantic
Hoelscher demonstrates a formidable mastery of Spohr’s technically challenging passagework, although his efforts are somewhat undermined by the recessed sound of the orchestra. (…) Nonetheless, it is fascinating to experience a bird’s-eye view of Spohr’s development, from the elegant if somewhat four-square First Concerto to the more sophisticated harmonic and formal structures of the Fourteenth and Fifteenth.
Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 3, 6 & A major (1999, CPO # 999 145-2) Music
Posted by luckburz at Dec. 4, 2014
Louis Spohr - Violinkonzerte in A, 3 & 6
Ulf Hoelscher / Rundfunk-Sinfonieorchester Berlin / Christian Fröhlich
EAC+LOG+CUE | FLAC: 277 MB | Full Artwork: 171 MB | 5% Recovery Info
Label/Cat#: CPO # 999 145-2 | Country/Year: Germany 1999
Genre: Classical | Style: Viennese School, Romantic
Hoelscher demonstrates a formidable mastery of Spohr’s technically challenging passagework, although his efforts are somewhat undermined by the recessed sound of the orchestra. (…) Nonetheless, it is fascinating to experience a bird’s-eye view of Spohr’s development, from the elegant if somewhat four-square First Concerto to the more sophisticated harmonic and formal structures of the Fourteenth and Fifteenth.