Dan Winter

Hartman's followup to "Instant Replay", and while nothing here raced up the charts like that album's title single, the producer/singer/songwriter/multi-instrumentalist flashes his party energy through sturdy constructions. "Hands Down" trails off with Stevie Wonder and Edgar Winter trading fours on harmonica and sax respectively an inspired collaboration that could have run on a few minutes more. "Just for Fun," almost a one-man show, contrasts a muscular, syncopated hook to the insouciance of the lyric. The finale, "Free Ride," retools a hit Hartman originally wrote and sung for Edgar Winter, transferring the choogle of the older version's rhythm guitar to the rhythm section for a seemingly-simple discofication displaying the hand of a master crafsman.

Hartman's followup to "Instant Replay", and while nothing here raced up the charts like that album's title single, the producer/singer/songwriter/multi-instrumentalist flashes his party energy through sturdy constructions. "Hands Down" trails off with Stevie Wonder and Edgar Winter trading fours on harmonica and sax respectively an inspired collaboration that could have run on a few minutes more. "Just for Fun," almost a one-man show, contrasts a muscular, syncopated hook to the insouciance of the lyric. The finale, "Free Ride," retools a hit Hartman originally wrote and sung for Edgar Winter, transferring the choogle of the older version's rhythm guitar to the rhythm section for a seemingly-simple discofication displaying the hand of a master crafsman.

Green Hill Productions presents "WINTER, FIRE & SNOW" (A Celtic Christmas Collection) – Orla Fallon, featuring songs straight from the Dublin soundscape in Ireland, giving this pure authenticity with love of Christmas and the holiday season –- Delicate almost child like, from opening track "WHAT CHILD IS THIS?"

Described by Chicago Reader as “casually clearing the way for one potential path for jazz to progress into the future”, Chris Morrisey is a musician with an uncanny ability to blend styles and genres. Informed as much by alternative music of the 90s like Elliot Smith and Bjork as contemporary Jazz of that era, it was the presence of Happy Apple, the hyper original punk Jazz group from Minnesota (Dave King, Michael Lewis and Erik Fratzke) that installed his sense of what was possible in music.