Dance Suite Bartok

The Bach/Stokowski orchestral transcriptions join Bartok's Music for Percussion, Stings and Celeste ; Shostakovich's Symphony No. 11 ; Barber's Adagio for Strings ; Holst's The Planets ; Schoenberg's Verklarte Nacht ; Stravinsky's Petrushka Suite and Firebird Suite ; Sibelius's Finlandia ; Orff's Carmina Burana ; Khachaturian's Symphony No. 2 , plus Dukas, Strauss, Vaughan Williams, Tchaikovsky, Frescobaldi, Bloch, Ibert, Mussorgsky, Respighi, Ravel, Palestrina, Gabrielli and more!

The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.

Martin Fröst - Roots (2016) {Sony Classical 88875065292}
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© 2016 Sony Music / Sony Classical | 88875065292
Classical / Chamber Music / Clarinet

The clarinetist Martin Fröst, after a series of recordings of modern-ish Nordic and Germanic clarinet repertory on the Swedish label BIS, gets a larger mouthpiece here with a release on the major Sony Classical label. Fröst's playing has never been better: he excels in both tough, angular lines and slow cantabile, and both are applied here to a wide variety of material. Three of Schumann's Five Pieces in Folk Style, Op. 102, are made into a little sonata here, and sampling any one of them (tracks 7-9) will show you how compelling Fröst can make only moderately interesting music. Like those pieces, most of the music is arranged from music in media other than clarinet and orchestra.

A limited-edition 55-CD set of legendary and critically acclaimed recordings celebrating the famous PHILIPS heritage. An alliance of great artistry and superb sound. Classic-status albums spanning over half a century of recording and showcasing a wealth of international talent.
An unrivaled collection that that embraces all musical genres - from solo piano and chamber music through to large scale choral works and opera.

In the late 1940s, the pioneering Decca recording engineers perfected a new set of microphone techniques that allowed the full range of frequencies to be fully heard by listeners for the first time, and the term ‘full frequency range recording’ was launched. It was a major revolution in sound quality, and the beginnings of high fidelity.

Anyone listening to this admirable set will gain an accurate impression of David Oistrakh’s overall playing style, his poise, composure, interpretative finesse, velvety tone and highly sophisticated musicianship. Various of the works programmed are - or have been - available in alternative Oistrakh recordings (the Tchaikovsky and Brahms concertos in around six versions apiece), but Melodiya’s selections are, in general, judiciously chosen.

THE ANALOGUE YEARS presents a 50-Album overview across 54 CDs, in original jackets, of the celebrated international recordings that emerged from the London-based record label in that pre-digital era.