Daniel Hope's new album "Dance!" reflects his boundless interest in the most diverse styles and periods of music. The star violinist takes the listeners on a journey through seven centuries of music history and explores the rhythms that have set bodies in motion and lifted hearts since time began.
There is a large part of Skalkottas's oeuvre that is seriously dissonant. It made quite an impact in the 1960s and 1970s in the UK when revived on the BBC by Dorati and others. Separate from that strain this Greek composer also wrote in a grateful lyrical idiom in touch with the song and dance of his homeland. This can be heard in his large collection of Greek Dances. It is this raw, dancing and whirling energy that we catch in the 45 minute ballet suite of The Sea, written in 1948 …….Rob Barnett @ musicweb-international.com
This fifth installment of the Michel Gielen Edition contains works by Bela Bartok and Igor Stravinsky. Gielen greatly admired these composers, whose works he frequently performed. We thus continue the editorial play for the Michael Gielen Edition. Volume 5 includes many first releases or recordings of Gielen from the 1960s and 1970s. Gielen is celebrating his 90th birthday in July, 2017. The album also contains a spoken section from Michael Gielen's last concert with his SWR Sinfonieorchester Baden-Baden und Freiburg in 2014.
One of the most persistent questions that musicians ask themselves while practicing a piece is the inevitable query of how the composer himself might have performed his music. There are many written reports on how the old masters such as Bach, Mozart, and Beethoven may have played or improvised; and there are lines of teacher/pupil relationships which can trace their lineage back to the pianistic greats such as Liszt, but still we have to imagine the sound since we cannot actually hear it.
Hungarian composer Bela Bartok (born in Romania) was an innovative composer in his day and along with Gyorgy Ligeti is highly regarded as one of the greatest composers to come out of Hungary in the 20th century. While a majority of Bartok's works are timeless classics in modern Classical repertoire, recordings are Bartok performing his own music are extremely rare to find these days. This is what makes the "Bartok Plays Bartok" disc from Pearl Records such a treat to listen to. The recordings on this disc date from between 1929 and 1941 and display Bartok's gifts as a solid pianist in their fullest. His pianistic attack and full command of the instrument comes through in every piece included here.