Comment la servitude peut-elle être volontaire ? comment peut-on avoir le désir de se soumettre ? Comment la liberté peut-elle se nier elle-même ? Autant vouloir ne plus vouloir, ou réclamer librement de porter des chaines aux pieds… Pourtant, c’est comme ça que ça marche : telle est l’étrange et imparable leçon du discours de la servitude volontaire. …
Dans cet ouvrage issu de sa thèse, Claude Mossé montre déjà en quoi l'étude d'une période relève la fois de l’histoire politique et de l’histoire sociale. Grâce à une lecture scrupuleuse de tous les textes qui, comme documents historiques, lui permettaient de "faire l’histoire" des conditions de la production et des échanges en Attique au IVe siècle, de l’évolution des rapports sociaux, du fonctionnement de la démocratie et de la politique extérieure d’Athènes, elle nous permet de reconstituer une époque sans jamais cesser de l'interroger dans sa réalité. …
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Paco de Lucía arranges and interprets, along with Ricardo Modrego, the songs brought together in the twenties by Federico García Lorca, most of which were collected from the canon of popular songs from the 18th century which Federico recorded in 1931, accompanied on the piano by Encarnación López, “La Argentinita”. The accompaniment given to every song is based on the rhythm of the songs as they were adapted by Lorca, above the basic tune they considered fitted with the Flamenco toque.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. The Flamenco toque with two guitars is not as often captured as all good fans of Flamenco would like. After his first solo recordings, Paco went back to the studio to record twelve tracks on dual guitars with his colleague from the José Greco ballet, Ricardo Modrego. An excellent example of the best of Ricardo’s school, the record reprises the most important guitar toques, sensitively balancing the essences of each. A lot of what is here would reappear in his definitive launch as a solo artist in 1967.
Il y a 50 ans, Pierre Pelot publiait son premier roman. Il est donc pertinent de rendre compte du long cheminement multigenre du plus grand écrivain contemporain vosgien. …