Dead But Not Gone

Europe '72: The Complete Recordings is a box set of live recordings by the rock band the Grateful Dead. Billed as a "mega box set", it contains all of the band's spring 1972 concert tour of Europe — 22 complete shows, on 73 CDs. It was released on September 1, 2011. All 22 concerts from Europe '72: The Complete Recordings were also produced as individual albums, most of them on three or four CDs. They were released in chronological order, in four batches, from October to December 2011.

Europe '72: The Complete Recordings is a box set of live recordings by the rock band the Grateful Dead. Billed as a "mega box set", it contains all of the band's spring 1972 concert tour of Europe — 22 complete shows, on 73 CDs. It was released on September 1, 2011. All 22 concerts from Europe '72: The Complete Recordings were also produced as individual albums, most of them on three or four CDs. They were released in chronological order, in four batches, from October to December 2011.

"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming.

"What fans heard in these four {Lyceum} shows was both a history of the Dead and a survey of their unique vision of American music, from folk to rock, with blues and R&B and country-and-western and Bakersfield all included, all melded together by the improvisational spirit of American jazz in a small-group format that owed much to European classical music."

A British dance-pop group which found fame thanks to the antics of androgynous frontman Pete Burns, Dead or Alive formed in Liverpool in 1980. Burns first surfaced three years prior in the Mystery Girls, later heading the proto-goth rockers Nightmares in Wax; he founded Dead or Alive with keyboardist Marty Healey, guitarist Mitch, bassist Sue James, and drummer Joe Musker, debuting in 1980 with the Ian Broudie-produced Doors soundalike "I'm Falling." "Number Eleven" followed, but just as the group was gaining momentum, they were swept aside by the emergence of the New Romantic movement, with Burns subsequently charging that fellow androgyne Boy George of Culture Club had merely stolen his outrageous image.