Tegan and Sara have never been shy about changing up their sound, but 2013's Heartthrob was their biggest leap yet, one so drastic that it left some of their fans behind. Their slickly produced modern pop sound also gained them lots of new fans in return without sacrificing the intense emotions, lyrical insight, and songcraft their earlier albums delivered. Turns out the sisters are great pop vocalists, too. Their next album, 2016's Love You to Death, stuck to the same basic template, retaining Greg Kurstin as producer and surrounding their heartbreak ballads and empowering new wave rockers with glitteringly clean synths, percolating drum machines, and state of the art production.
Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninjas working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandonned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.
Death Cab for Cutie's eighth full-length album, 2015's Kintsugi, finds the group sliding further into the studio smoothness that marked 2011's Codes and Keys. Produced by Rich Costey – best-known for his work with Kimbra, Mew, Muse, Interpol, and Chvrches – Kintsugi is also the last album Death Cab recorded with co-founding member Chris Walla, who announced he was leaving the band during the recording process. Sentiment has always been lead singer/songwriter Ben Gibbard's calling card, but as he starts to stare down the corridor to 40, he seems comfortable with leaving that open heart unadorned – or, better still, gussied up in a coat of studio shellac.
After 20 years of having their heads fused together in their signature double-noggin logo, Death From Above 1979’s Sebastien Grainger and Jesse Keeler can now say they officially share the same brain. As the Toronto-bred duo explain to Apple Music, the decision to self-produce their fourth album, Is 4 Lovers, wasn’t so much driven by a desire to get back to the DIY conditions that spawned their debut 2004 disco-metal classic You’re a Woman, I’m a Machine. Rather, it was an attempt to apply all the studio knowledge they’ve accumulated in the interim working with A-list producers like Dave Sardy (on 2014’s The Physical World) and Eric Valentine (2017’s Outrage! Is Now) and use it to elevate Grainger and Keeler’s long-standing psychic connection into a full-on mind-meld.
The Magic Gang release their buoyant new album Death Of The Party. The album was recorded in Atlanta with the Grammy-winning producer Ben H. Allen (Deerhunter, Animal Collective, Gnarls Barkley), whose work in alternative and pop matches for band’s own blend of genres. The quartet approached the album with two objectives in mind. They aimed to broaden the scope of their harmony-rich, melodically focused pop. And inspired by Lou Reed, Alex Turner and especially Jonathan Richman they wanted to take a more observational lyrical approach. The stories they tell reflect the experiences of many of their early-twentysomething contemporaries. They explore anxieties about money, relationships and the future, but also the fun moments that they use to escape from such issues.