Debussy 21

Claude Debussy (born Achille-Claude Debussy) was among the most influential composers of the late nineteenth and early twentieth centuries. His mature compositions, distinctive and appealing, combined modernism and sensuality so successfully that their sheer beauty often obscures their technical innovation. Debussy is considered the founder and leading exponent of musical Impressionism (although he resisted the label), and his adoption of non-traditional scales and tonal structures was paradigmatic for many composers who followed. The son of a shopkeeper and a seamstress, Debussy began piano studies ……..
From Allmusic

Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, although Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed. Debussy's music is noted for its sensory content and frequent use of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.

Music in Time of War, the new double-album from pianist Kirill Gerstein, places the music of Komitas, pioneer of ethnomusi- cology and founder of the Armenian national school of music, alongside that of Claude Debussy, a seminal composer in the late 19th and early 20th centuries who held a deep admiration of Komitas’s music. Both composers were profoundly affected by the implosion of their worlds – Komitas by the Armenian Genocide, Debussy by the First World War – and their music reflects a close emotional alignment. Music in Time of War grew from Gerstein’s fascination with music’s power to reflect a narrative. The project will be released as a double CD album and will be accompanied by a hardcover book containing a series of illustrations and detailed essays in three languages commissioned by the pianist.

Claude Debussy, who died 100 years ago in March 1918, is one of history's greatest composers and the most influential of all French composers. A father of modern music, Debussy lived in the early days of the recording era.

Désiré-Emile Inghelbrecht's six suites of piano pieces entitled La Nursery are among the most unjustly neglected masterworks of French impressionism. All but the third and fourth suites first appeared in 1905 and undoubtedly provided direct inspiration for Claude Debussy's Children's Corner, composed in 1908 and likewise included as filler on this fine ATMA Classique disc featuring Canadian pianist Lise Boucher. These solo versions of Inghelbrecht's signature work have not appeared on compact disc before – the earliest versions of these works were intended as teaching pieces and were scored out for piano four-hands.

This is a reissue of Donna Brown’s performances of beautiful songs by Debussy. They are settings of poems by Verlaine, Bourget, Banville, de Musset, Mallarmé and Peter. This soprano is known for the floating angelic quality of her voice and the intelligent musicality of her interpretations.

The fourth and final installment in a complete edition of Debussy songs might not seem to be a chartbuster, but that's just what this release by British soprano Lucy Crowe has become, and it deserves every bit of its success. In fact, you might even pick this one over the other three if you're looking to sample Crowe's approach: the program is exceptionally well put together, and it begins with Debussy's first published song, Tragédie, of 1881. There are several other early songs, giving insight into the young Debussy's romantic life as well as hints of the musical language to come and some real experiments (you could sample the Rondel chinois). From there, the program proceeds to later music but is not strictly chronological: instead Crowe leads you onto a path of extremely quiet songs wherein Debussy challenges the soprano to reside in her upper register, and Crowe meets the challenges beautifully. The tension is remarkable, with just a single piano solo and a pair of songs to Debussy's own texts (Nuits blanches, or Sleepless Nights) with baritone Christopher Maltman to break it. The music broadens out with some later songs, ending with Debussy's swan song, Noël des enfants qui n'ont plus de maisons, of 1915. The contributions of pianist Malcolm Martineau are substantial; he produces some truly eerie sounds in the quieter pieces. Highly recommended and often haunting.