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The prolific and long-running De-Phazz (also known as DePhazz) is a contemporary lounge project led by Peter "Pit" Baumgartner, a German-Austrian producer who has surrounded himself with a shifting cast of collaborators that includes vocalists Barbara Lahr, Karl Frierson, and Pat Appleton. Beginning with Detunized Gravity (1997), Baumgartner and company have explored various forms of lounge music, much of it balancing samples with live instrumentation, with innumerable cross-sections of vintage jazz and soul, easy listening, and Latin music. By employing the sounds of classic percussion and jazz instruments such as the trumpet and sax, De Phazz successfully create smooth electro-groove music with an unmissable swinging jazz theme. De Phazz is a unique sound that you must check out. This Limited Edition including bonus CD featuring eight additional songs and alternative versions.

Dix ans après l'ouvrage Stratégie océan bleu, les auteurs ont consulté les entreprises ayant adopté leur stratégie destinée à s'affranchir de la concurrence en créant de nouveaux espaces de marché. A partir de leurs observations, ils proposent le versant opérationnel de leur livre théorique, avec les pièges à éviter, des retours d'expérience et une approche psychologique. …

This programme marks the eagerly awaited return of Véronique Gens to Baroque music and Lully, in which she made a name for herself at the start of her career. It presents airs from Atys, Persée, Alceste, Proserpine, Le Triomphe de l’Amour and other works by Louis XIV’s famous composer, but also several by Marc-Antoine Charpentier (Médée), Henry Desmarets and Pascal Collasse. Whether well known, rare or in some cases even unpublished, all of them present roles for powerful women whose love is unrequited: dark passions, bitter laments, jealousy, vengeance, the type of dramatic characters that Véronique Gens embodies with all the charisma that has made her reputation. This recording is also the result of an encounter with the youthful ensemble Les Surprises, founded and directed by Louis-Noël Bestion de Camboulas. Together they conceived this programme, which mingles airs, dances and choruses, in collaboration with the Centre de Musique Baroque de Versailles.

After a hiatus since their last studio album in 2016, Luz de Riada is back with an exciting lineup and an upcoming album, ‘Rizoma’. The album title carries a dual meaning: in biology, it refers to “a form of root that can generate wholly, even from a small piece,” as explained by bass guitarist Luis Nasser. In the realms of psychology and philosophy, ‘Rizoma’ refers to “the structure of ideas in the form of a network (neural or the internet) that can reconnect in multiple ways rather than a top to bottom hierarchy,” Nasser adds. Mexican band formed by four experienced and talented musicians who have been members of successful bands such as Cabezas De Cera or Saena. Their music can be heard as a wonderful mixture of jazz elements, experimental music, avant-garde and progressive rock (among others) that create an eclectic and very original sound, with a clear cinematographic, visual impact, supported by a sonic palette rich in textures and emotions.

Antonio Florio et son équipe de la Cappella de'Turchini nous ont habitués à de passionnantes découvertes dans le répertoire de leur ville de Naples, au passé musical si riche et pourtant délaissé par la plupart des musiciens.