Dental Elder

Forensic Odontology: Principles and Practice  eBooks & eLearning

Posted by interes at Dec. 7, 2016
Forensic Odontology: Principles and Practice

Forensic Odontology: Principles and Practice by Jane Taylor and Jules Kieser
English | 2016 | ISBN: 1118864441 | 496 pages | PDF | 20 MB

Forensic Odontology: Principles and Practice (repost)  eBooks & eLearning

Posted by interes at Feb. 16, 2019
Forensic Odontology: Principles and Practice (repost)

Forensic Odontology: Principles and Practice by Jane Taylor and Jules Kieser
English | 2016 | ISBN: 1118864441 | 496 pages | PDF | 20 MB

Miles Davis Septet - Live in Poland 1983 (2008)  Music

Posted by robi62 at July 18, 2014
Miles Davis Septet - Live in Poland 1983 (2008)

Miles Davis Septet - Live in Poland 1983 (2008)
Video: NTSC, MPEG-2 at 4 637 Kbps 720 x 480 at 29.970 fps | Audio: AC-3 2 channels at 448 Kbps, 48.0 KHz
Genre: Jazz | Label: Efor | Copy: Untouched | Release Date: 20 Oct 2008 | Runtime: 111 min. | 4,04 GB (DVD5)

A rarely seen filmed performance by the splendid Miles Davis septet, recorded live in Warsaw in 1983 - with saxophonist Bill Evans and guitarist John Scofield. This fabulous, complete concert was filmed shortly after Miles Davis recorded his celebrated album 'Star People' - and features many of the compositions from the album, although it hadn`t actually yet been released when they performed in Poland. Bill Evans (the sax player) had been replaced by Branford Marsalis on the original studio versions of 'That`s Right' and 'Code M.D.'

Miles Davis - Miles + Miles (2015)  Music

Posted by DjangoTiger at July 29, 2015
Miles Davis - Miles + Miles (2015)

Miles Davis - Miles + Miles (2015)
MP3 CBR 320 kbps | 16 Tracks | 1:42:22 | 235 MB
Genre: Jazz | Label: Sandrew Metronome

Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless Harmon mute to make his sound more personal and intimate. But if his approach to his instrument was constant, his approach to jazz was dazzlingly protean. To examine his career is to examine the history of jazz from the mid-'40s to the early '90s, since he was in the thick of almost every important innovation and stylistic development in the music during that period, and he often led the way in those changes, both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions. It can even be argued that jazz stopped evolving when Davis wasn't there to push it forward…