Dexter Gordon Mono

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956) [Analogue Productions Remastered 2014]

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956)
The Prestige Mono Series, Remastered 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 110 Mb | Scans included
Cool, Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7074 SA | 00:44:01

These SACD jackets feature printed wraps mounted to chipboard shells, producing an authentic, "old school" look and feel. Some people call these "mini LP" jackets. This unusual meeting of four tenor saxophone players from different "schools" was part of the Prestige Friday afternoon jam session series but far from a typical outing. The giant forebears of Coleman Hawkins, Lester Young, and Charlie Parker inform the backgrounds of the performers on this LP — Hank Mobley, Al Cohn, Zoot Sims, and John Coltrane — and other influences such as Ben Webster, Dexter Gordon, and the Sonnys (Stitt and Rollins) show up, too, depending on which of the four protagonists you’re talking about.

A Sunday in the Country (1984)  Movies

Posted by Efgrapha at Aug. 13, 2014
A Sunday in the Country (1984)

Un dimanche a la campagne (1984)
DVD9 | VIDEO_TS | PAL, 16:9 (720x576) VBR | 01:30:35 | 7.1 Gb
Audio: AC3 2.0 @ 192 Kbps (each): French, Italian, Deutsch | Subs: English, Spanish
Genre: Drama

French stage actor Louis Ducreux makes his film debut as a 76-year-old traditionalist painter, Monsieur Ladmiral, in this bittersweet portrait of a brooding artist. A widower, Ladmiral lives on an estate in the countryside near Paris with only his housekeeper, Mercedes (Monique Chaumette), and his paintings to keep him company. The action of the film takes place on a bright autumn Sunday in the early 1900s when Ladmiral's son, Gonzague (Michel Aumont), and Gonzague's wife, Marie-Therese (Genevieve Mnich), come out from Paris with their three children to visit the old man. While making small talk with Gonzague, Ladmiral hints ever so subtly that his son has become too bourgeois, too conformist, too accepting of the status quo. Apparently, Ladmiral doesn't want his son to face what he is facing: self-recrimination for failing to take risks, failing to go beyond the bounds of tradition.