A play and an alto saxophonist pulled Dexter Gordon out of West Coast obscurity in 1960 and helped revive the bebop pioneer's career. The play was The Connection, which included a performing jazz band in its cast and inspired a classic original score from Freddie Redd as well as subsequent compositions by Kenny Drew, Cecil Payne, and Cecil Taylor. Gordon was the play's musical director in his hometown of Los Angeles, and some of Gordon's score is documented here. Cannonball Adderley produced the session (and many others for Riverside/Jazzland at the time).
This excellent Columbia album was recorded less than a year after Dexter Gordon's well-publicized tour of the United States following a dozen years spent living in Europe. With assistance from such other major players as trumpeters Woody Shaw and Benny Bailey, vibraphonist Bobby Gordon sounds in superlative form on Woody Shaw's "The Moontrame," four standards and his own "Fried Bananas." In addition to the original program (which features Dexter with an all-star tentet), the 1997 CD reissue adds two 1979 features for vocalese singer Eddie Jefferson ("Diggin' It" and "It's Only a Paper Moon") which were originally released on Gordon's Great Encounters; trumpeter Shaw and trombonist Curtis Fuller co-star with Gordon. An excellent acquisition.
The Complete Blue Note Sixties Sessions is an attractive six-disc box set featuring all of Dexter Gordon's '60s recordings for the label in chronological order. Such classic albums as Dexter Calling and Go! were recorded during these years, and they are presented in their entirety, as are two complete sessions that have been previously unavailable on CD and several unreleased alternate takes. For serious Gordon fans and musicologists, it's an essential collection, but its very thoroughness makes it less appealing to casual fans, who would be better off acquiring the individual albums.
Ace Records’ Boplicity label was one of the earliest entries into the jazz reissues market in the mid-1980s. The short release schedule covered classic modern jazz from the 50s and 60s, taking in music originally released by Blue Note, Riverside, Prestige and various smaller independents. We are now re-launching the label as home for our small but distinct catalogue of 1950s and 1960s modern jazz. Featuring bonus tracks wherever possible, each release will strive for the highest quality in sound reproduction, using fresh transfers of the original master tapes.