Dinger

Rap is considered today's modern urban music, but its roots reach far into the past as this provocative project shows. The rapping technique has been present in many American musical genres, for 100 years or more, including early rural music, both black and white, religious songs, blues, ragtime, vaudeville, and hokum. This album features rap precursors by such legendary figures in American music as Blind Willie Johnson, Pine Top Smith, Memphis Jug Band, Butterbeans and Susie, Seven Foot Dilly & his Dill Pickles, Dixieland Jug Blowers, Jimmie Davis, Blind Willie McTell and more! A highly entertaining and provocative exploration into early American musical history.

It may be fourty years since Neu! became the godfathers of Krautrock, but their influence is still going strong - at least that's what a new compilation hopes to prove. A plethora of stars have stepped up to the plate for a disc not of covers, but of songs influenced by the German legends - and that distinction is precisely what saves "Brand Neu!" from being just another generic celebration. These days every granny and her goldfish are dabbling in electro, but it wasn't so back in the 70s, when Michael Rother and Klaus Dinger split from Kraftwerk and started making some of the most exciting stuff to come out of Germany, well… ever. In doing so, they influenced Bowie, Radiohead and a lot of people in between…

What might have been simply seen as an agreeable enough debut album has since become something of a notorious legend because Kraftwerk, or more accurately the core Hütter/Schneider duo at the heart of the band, simply refuses to acknowledge its existence any more. What's clearly missing from Kraftwerk is the predominance of clipped keyboard melodies that later versions of the band would make their own. Instead, Kraftwerk is an exploratory art rock album with psych roots first and foremost, with Conny Plank's brilliant co-production and engineering skills as important as the band performances. Still, Hütter and Schneider play organ and "electric percussion" – Hütter's work on the former can especially be appreciated with the extended opening drone moan of the all-over-the-place "Stratovarius" combined with Schneider's eerie violin work. But it's a different kind of combination and exploration, with the key pop sugar (and vocal work) of later years absent in favor of sudden jump cuts of musique concrète noise and circular jamming as prone to sprawl as it is to tight focus.

Excellent five CD set containing albums from a quintet of Krautrock's finest bands packaged in mini LP sleeves and housed in a slipcase. Includes Parzival's Legend, L.A. Dusseldorf's Viva and self-titled albums from Message, Asterix and Gift…

"Swiss group Klaus Johann Grobe have been at it since 2012, and as they prepare to release their third album "Du Bist So Symmetrisch" (and third on Trouble In Mind), the group continues to defy description & blur the lines between electronic pop, dance music, synthesis & kosmische.