As one of the premier pop/R&B singers with a singular voice, Dionne Warwick's list of hits includes "Are You There (With Another Girl)," "Once You Hit the Road," and the often nerve-racking "Heartbreaker." As she racked up the singles, Warwick fans also realize she has also released fulfilling albums through the years, including 1975's Track of the Cat and her 1979 comeback effort, Dionne. Dionne Sings Dionne is also a strong effort. While including new tracks, the bulk of Dionne Sings Dionne consists of reconfigured versions of her '60s work with Burt Bacharach and lyricist Hal David.
Dionne Warwick is a legendary American vocalist, she’s also Whitney Houston’s cousin. Throughout her career she’s released over fifty albums, won five Grammy’s and been nominated for a further seven as well as getting over thirty top 40 R&B hits. DIONNE, released in 1979 on Arista, was produced by Barry Manilow who also provides backing vocals and piano on a number of songs. Gene Page also makes an appearance orchestrating four of the songs.
Having compromised on her Arista debut and gotten a hit single for her trouble, Jennifer Warnes took charge of the recording of her second Arista album, co-producing it and writing three songs, including the title track. It was hard to miss the point when Warnes covered Dionne Warwick's 1963 hit "Don't Make Me Over" (written by Burt Bacharach and Hal David) that she was finished with having people tell her what to do. On her own, her taste was impeccable, her song choices including the work of Jesse Winchester, Bob Dylan, and Stephen Foster, and her own songwriting was good, too. She also managed to satisfy the commercial expectations aroused by her previous album, with "I Know a Heartache When I See One" rising into the country Top Ten and the pop and adult contemporary Top 40. (She also made it into all three charts with "Don't Make Me Over" and into the pop and AC charts with "When the Feeling Comes Around.") She proved an adept producer, achieving a smooth pop/rock sound. With session stars like Andrew Gold aboard, Warnes succeeded in making what sounded like the great lost Linda Ronstadt album.