His recording career as a leader in the United States lasted for about two years, from 1944-46. In the autumn of 1946 Don Byas left for Europe touring with the Don Redman Band; essentially, from that point on he simply stayed in Europe until his death in 1972. Considering the time period, and the extent of his talent, expatriation was a doubtful career move if he was concerned with his place in the contemporary jazz scene and ultimately his place in jazz history.
This four disc set, Don Byas: Complete American Small Group Recordings, documents Byas’ recordings as a leader prior to his emigration, with one disc documenting his work as a sideman in a variety of bands. Although he was later to record extensively in Europe, Byas should be established as a major tenor saxophonist based on this four disc set alone.
My Secret Studio really isn't a secret, and never has been, unless you count the period of time when problems of life and surroundings seemed to make it impossible for Bill Nelson to actually get anything musical out into the open. His larger commercial connections had evaporated, his own label had been wracked by unethical behavior by his manager, and his life as a whole seemed to be one gigantically complex knot. Rather than letting these problems crushing the inspiration out of him, Nelson was energized by them. He might not have been able to release much of a anything for a while, but this didn't stop him from recording hundreds of new songs and instrumental pieces.
The Midnighters were an American R&B group from Detroit, Michigan. They were an influential group in the 1950s and early 1960s, with many R&B hit records. They were also notable for launching the career of lead singer Hank Ballard, and the world-wide dance craze The Twist. Between 1953 and 1962 The Midnighters scored almost two dozen hits on the National Pop & R&B Charts. Their big hits included the million-selling Billboard Top 10 pop hits "Finger Popping Time" (for which they received a 1961 Grammy Award nomination), and "Let's Go, Let's Go, Let's Go".The Midnighters also enjoyed 13 Top 10 R&B Hits,including 3 R&B # 1's.
A 19-CD box set? Twenty one and a half hours of music? A 72-page book? Artefacts that include a receipt for her first piano? Who said the music industry no longer had money to burn?
For anybody unfamiliar with Sandy Denny’s yearning, evocative songs, her teeteringly vulnerable vocal style and the erratic contours of a career that ended shockingly in a fall downstairs in 1978 when she was 31, this eye-watering project may seem like ludicrous indulgence.
Rare and unissued Pacific Northwest floor fillers! While soul music might not be the first thing that comes to mind when you think of the music of the Pacific Northwest, Salem Oregon’s Garland Records was churning out high quality hip shakers along with their reels of garage & psych. Contained here is some super deep “Northwestern Soul,” including three cuts making their inaugural spins 50 years after they were put to tape.
Anointed "Queen of the Blues" by Leonard Feather, Dinah Washington made a number of live performances during the height of her career at New York's Birdland, Royal Roost, and Basin Street clubs. These performances, along with a couple of cuts from the soundtrack to the Harlem Variety Review, have been captured by Ted Ono's Baldwin Street Music label. During this period, many of Washington's recordings consistently appeared at the top of the R&B charts, although it wasn't until her breakthrough "What a Difference a Day Makes" that she made it to the pop charts. The first performance on this CD is from 1948 with Dizzy Gillespie & the Orchestra and the last is from 1955 with Wynton Kelly…