Dvorak Violin Sonatina

The Shaham siblings play Dvorak's Sonatina, wonderful music with great tones recorded with great clarity! The piano sound is remarkably clear and sharp sounding and no introduction needs to be said about the incredible violin tone displayed here. DG really did an amazing production on this recording. The violin is played with incredible warmth and awesome phrasing, every heartfelt note is carefully shaped by a master craftsman: Gil Shaham shows yet again his ability to speak with every note. The piano is played with a great sense of dynamics and effortless technique while never being obtrusive. Orli shows great maturity in how she handles and shapes the music with her great hands.

If you ever feel the overpowering urge to hear a disc with the best performances of the best music ever written for violin and piano by Czech composers, this is that disc. If you ever feel the overwhelming compulsion to hear a disc with sweetly lyrical, passionately expressive, and deeply soulful music played with unparalleled insight, unmatched understanding, and complete comprehension, this is that disc. The music is truly the best ever written for violin and piano by Czech composers. Smetana's Pieces (2) from The Homeland are charming. Dvorák's Sonatina and Romantic Pieces are heartfelt and instantly memorable. Suk's Ballade and Pieces (4) are works of stunning intensity and staggering expressivity. And Dvorák's transcription of his Slavonic Dance in E minor is a bravura display of nationalist fervor. The performances are the best ever recorded for the repertoire.

On this disc, Christian Poltéra and Kathryn Stott chart the gradual development in Dvořák’s composition for cello. The disc includes chamber works that Dvořák composed originally for cello and piano or arranged for the combination including Polonaise in A major, the Rondo in G minor and Silent Woods which was originally a piano duet.

Dvorák's music for violin and piano comes from many periods in his career. An early Sonata in A minor of 1873 is lost. Of the works which do survive, several, including the Notturno and Four Romantic Pieces, are skilful arrangements of earlier works (the Notturno is a reworking of the central section of the E minor String Quartet, while the Four Pieces were originally written for viola and piano).

Antonin Dvorák's Piano Quartet No. 2 is one of the greatest chamber works of the 19th century (as are many of Dvorák's chamber compositions). Written in 1889 at the request of his publisher Simrock, it is a big, bold work filled with the Czech master's trademark melodic fecundity, harmonic richness, and rhythmic vitality. The first movement is a soaring, outdoor allegro with an assertively optimistic main theme accented by Czech contours and Dvorák's love of mixing major and minor modes. The Lento movement's wistful main theme is played with a perfect mixture of passion and poise by cellist Yo-Yo Ma. The music alternates between passages of drama and delicacy in this, one of Dvorák's finest slow movements in any medium. The Scherzo's stately waltz is contrasted by a lively, up-tempo Czech country dance. The finale is a high-stepping, high-spirited allegro with a strong rhythmic pulse that relaxes for the beautifully lyrical second subject.