Easy Music Score

Listen to the Movies! Musical memory of cinema! Angélique, Marquise of Angels / Michel Magne Soundtracks of the five films in the series Angelica (1964-1968) in 1964, Michel Magne is a talented young composer shaggy, revealed by his collaborations with Roger Vadim (The Rest of the Warrior), Henri Verneuil (A monkey in winter, Melody in the basement) and Georges Lautner (Les Tontons flingueurs). The Christmas 64 years will further consolidate it's status, with the inauguration Simultaneous two successful series: Fantômas and ngelique. This adaptation the novel cycle of Anne and Serge Golon give the actress Michele Mercier opportunity to interpret the role of his life… and that of writing five Magne large orchestral scores, halfway between Baroque music and romantic, worn by a big lyrical theme in the form of portrait of the heroine. " It is a theme that tells Angelique, said the composer. That is to say a woman who is fighting desperately for his love. "Thanks in particular to TV replays, the Angelique among the most famous scores Magne… but, paradoxically, had never been fully edited.

Musically, in terms of being a James Bond score, Dr. No is the weakest of the soundtrack albums in the film series, with only Monty Norman's "James Bond Theme" marking out familiar territory. But as a piece of music and a pop culture artifact, Dr. No may be the most interesting album in the whole output of the James Bond series. A good portion of the most memorable music in the film, including "Kingston Calypso" (the "Three Blind Mice" theme from the opening of the film) and "Jump Up," constituted mainstream American (and European) audiences' introduction to the sounds of Byron Lee & the Dragonaires (who also appeared in the movie, performing "Jump Up"), who became one of the top Jamaican music acts in the world just a couple of years later; sharp-eyed viewers can catch a young white man dancing in that same scene, incidentally, who is none other than Chris Blackwell, the future founder of Island Records.

The rare sequel that improves upon its predecessor, Rocky II expands on the uplifting approach exemplified by Bill Conti's immortal "Gonna Fly Now" to create a score that's both more cohesive and more emotional. Writer/director/star Sylvester Stallone affords Conti a wider emotional berth this time around, allowing for poignant, melancholy themes like "Vigil" alongside fist-pumping anthems like the climactic "Overture" – as before, Conti employs little more than solo piano, a small string ensemble, and a potent brass section, and it's to the composer's enormous credit that he can forge such larger-than-life music from relatively few instrumental elements. "Gonna Fly Now" even reappears, this time with a children's choir in tow, and sounds better than ever. Not even Frank Stallone's "Two Kinds of Love" can torpedo this one.