Echo in Rain

The answer is a resounding yes Echo & the Bunnymen's Crystal Days: 1979-1999, a four-disc set boasting a great built-in book with a biography and track-by-track commentary, is worth every penny. Through 71 tracks, it does an excellent job by catering to the longtime fan and merely curious, running through all the hits and selecting standout album tracks, rarities, and unreleased curiosities, all worthwhile. The very fact that compilation producer Andy Zax was driven to put this project into motion after realizing he just had to find a way to get stellar B-sides like the Velvets-meets-Byrds heaven of "Angels and Devils" and the Peel Session version of the experimental "No Hands" into circulation tells you right off that you're in good hands.

Berthold Heinrich Kämpfert, (16 October 1923 – 21 June 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, and songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples". Kaempfert was born in Hamburg, Germany, where he received his lifelong nickname, Fips, and studied at the local school of music. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan for an album called My Bonnie. The album and its singles, released by Polydor Records, were the Beatles' first commercially released recordings.

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Ireland based American songsmith Peter Broderick announces the release of Piano Works Vol. 1 (Floating in Tucker’s Basement) — a new comprehensive album of solo piano recordings out November 25, sharing first offering Sonata for the Sirius. Shining a light on the artist’s ongoing piano-based compositions, this release offers an opportunity to celebrate his more intimate work.

Ireland based American songsmith Peter Broderick announces the release of Piano Works Vol. 1 (Floating in Tucker’s Basement) ― a new comprehensive album of solo piano recordings out November 25. Shining a light on the artist’s ongoing piano-based compositions, this release offers an opportunity to celebrate his more intimate work. A comprehensive collection of Peter Broderick’s piano work to date, these recordings were originally captured in Berlin to accompany the 2017 sheet music book Piano Works Vol. 1. The book contains 20 pieces for solo piano and a download code to access new recordings of all 20 pieces.

Almost 8,000 people are homeless in Vegas - a 56 per cent increase in three years. Jordan Jarret-Bryan investigates how the city is responding to this crisis as he visits a network of subterranean tunnels that have become a refuge. Jordan meets Echo Marie, who lives in a tunnel just four feet high. In a city that has made living on the street a crime, and having been moved by police from one neighbourhood to another, Echo says a tunnel is the safest place to live. However, life underground is still risky - some tunnels are drug ridden, while all those underground risk being washed away by the rain.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

LeAnn Rimes (born August 28, 1982) is an American singer. Rimes rose to stardom at age 13 following the release of her version of the Bill Mack song "Blue", becoming the youngest country music star since Tanya Tucker in 1972. Rimes made her breakthrough into country music in 1996 with her debut album, Blue, which reached No. 1 on the Top Country Albums chart and was certified multi-platinum in sales by the Recording Industry Association of America (RIAA). The album's eponymous leadoff single, "Blue", became a Top 10 hit and Rimes gained national acclaim for her similarity to Patsy Cline's vocal style. When she released her second studio album in 1997, You Light Up My Life: Inspirational Songs, she moved towards country pop material, which set the trend for a string of albums released into the next decade. Rimes has won many awards, including two Grammys, three ACMs, a CMA, 12 Billboard Music Awards, and one American Music award. The collection includes studio albums from 1996 to 2007, and two compilations.