Ecm hi Res

Uhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. In these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could be described as a jazz-informed take on progressive electro-acoustic chamber music.

Jameszoo (Mitchel van Dinther) returns to Brainfeeder with a wonderfully cinematic album embarking on adventures on the fringes of jazz and contemporary classical. Imbued with the same spirit of adventure and experimental outlook as his previous work on the label, Music for 17 Musicians is a new work written for and performed by the renowned Dutch ensemble Asko|Schönberg, percussion group HIIIT and Jameszoo’s own “blind” group: Niels Broos (organ), Petter Eldh (electric bass) and Richard Spaven (drums).

Released in 1973, Crystal Silence heralded the beginning of a long and productive association between Gary Burton and Chick Corea, even leading to a Crystal Silence sequel in 2008. The popularity of their collaboration far exceeded expectations for interest in a band consisting solely of piano and vibraphone; in fact Crystal Silence has gone on to become one of the most successful titles in the ECM catalogue.

Currently one of Europe's leading forces in the jazz world, e.s.t. (Esbj”rn Svensson Trio) brings their unique and unmistakable sound stateside with the release of their new album, Tuesday Wonderland. This album is an eclectic mix of classical, melodic jazz and electronics with the feel of an energetic pop/rock show, making it a must-have for all music lovers. The album been released in Europe on September 2006, and was nominated in in the Best Jazz Album category.

As Esbjörn Svensson's trio has developed into a first-rate contemporary jazz entity, the combined acoustic-electric sound he employs is more alluring and arresting with each recording. The subtle nuances of amplified keyboard shades that embellish his piano playing is a unique quality of E.S.T.'s music that sets them apart from the vast majority of combos who place a larger value on louder complements. Another aspect of this group is that they are truly a working ensemble with stable personnel, as bassist Dan Berglund and drummer Magnus Öström have joined Svensson in this trio for years.

Recorded on Sept 3, 1965 at the now-defunct Judson Hall in Manhattan, these live tracks from saxophonist Charles Lloyd and his quartet have never been released before. In fact this marks the first-ever official appearance on record from Lloyd and his masterful quartet of guitarist Gábor Szabó, bassist Ron Carter and drummer Pete La Roca. This is a must have release for Charles Lloyd fans, jazz collectors & audiophiles.

"Standards" is a two-volume set of jazz albums by the Keith Jarrett Trio. Originally released in 1983 by ECM, they have been multiply re-issued. The albums present performances of pianist Keith Jarrett with Gary Peacock on double bass and Jack DeJohnette on drums.

"Standards" is a two-volume set of jazz albums by the Keith Jarrett Trio. Originally recorded in 1983 by ECM, they have been multiply re-issued. The albums present performances of pianist Keith Jarrett with Gary Peacock on double bass and Jack DeJohnette on drums.

A trumpet, a guitar and a bass. The absence of the battery immediately brings to mind the last Chet Baker, a chamber size, intimate and sensual. The music was "photographed" in the wonderful acoustics of the theater "Persius Flaccus" of Volterra, waiting for the bells of the five ceased, or that the thunder of a storm at the end of summer subside.

Vancouver pianist and composer Chris Gestrin has drawn comparisons to Bill Evans and Keith Jarrett, if either of those masters were young today and equally at home with the acoustic and the electronic, jazz and ambient. Gestrin's handpicked versatile quintet, featuring trumpeter Brad Turner, creates rich images in sound. From a tender solo piano improvisation to swirling group inventions, a narrative of almost cinematic sweep unfolds. Gestrin’s compositions range across jazz, experimental music, new age and world music for their ideas, but this is not “fusion” in any ordinary sense; there is too much originality and panache for that. The multi-channel remix opens on an imaginary environment that connoisseurs of surround sound, whether jazz fans or not, will surely appreciate.